And Sun-set into rose-hues sees them wrought.
Stanza xcix. line 5.
Rousseau's Héloïse, Lettre 17, Part IV., note. "Ces montagnes sont si hautes, qu'une demi-heure après le soleil couché, leurs sommets sont éclairés de ses rayons, dont le rouge forme sur ces cimes blanches une belle couleur de rose, qu'on aperçoit de fort loin."[356] This applies more particularly
to the heights over Meillerie.—"J'allai à Vévay loger à la Clef;[357] et pendant deux jours que j'y restai sans voir personne,
je pris pour cette ville un amour qui m'a suivi dans tous mes voyages, et qui m'y a fait établir enfin les héros de mon roman. Je dirois volontiers à ceux qui ont du goût et qui sont sensibles: Allez à Vévay—visitez le pays, examinez les sites, promenez-vous sur le lac, et dites si la Nature n'a pas fait ce beau pays pour une Julie, pour une Claire,[358] et pour un St. Preux; mais ne les y cherchez pas."—Les Confessions, [P. I. liv. 4, Oeuvres, etc., 1837, i. 78].—In July [June 23-27], 1816, I made a voyage round the Lake of Geneva;[359] and, as far as my own observations have led me in a not uninterested nor inattentive survey of all the scenes most celebrated by Rousseau in his Héloïse, I can safely say, that in this there is no exaggeration. It would be difficult to see Clarens (with the scenes around it, Vevay, Chillon, Bôveret, St. Gingo, Meillerie, Evian,[360] and the entrances of the Rhone) without being forcibly struck with its peculiar adaptation to the persons and events with which it has been peopled. But this is not all; the feeling with which all around Clarens, and the opposite rocks of Meillerie, is invested, is of a still higher and more comprehensive order than the mere sympathy with individual passion; it is a sense of the existence of love in its most extended and sublime capacity, and of our own participation of its good and of its glory: it is the great principle of the universe, which is there more condensed, but not less manifested; and of which, though knowing ourselves a part, we lose our individuality, and mingle in the beauty of the whole.—If Rousseau had never written, nor lived, the same associations would not less have belonged to such scenes. He has added to the interest of his works by their adoption; he has shown his sense of their beauty by the selection; but they have done that for him which no human being could do for them.—I had the fortune (good or evil as it might be) to sail from Meillerie[361] (where we landed for some time) to St. Gingo during a lake storm, which added to the magnificence of all around, although occasionally accompanied by danger to the boat, which was small and overloaded. It was over this very part of the lake that Rousseau has driven the boat of St. Preux and Madame Wolmar to Meillerie for shelter during a tempest. On gaining the shore at St. Gingo, I found that the wind had been sufficiently strong to blow down some fine old chestnut trees on the lower part of the mountains. On the opposite height of Clarens is a château[362] [Château des Crêtes]. The hills are covered with vineyards, and interspersed with some small but beautiful woods; one of these was named the "Bosquet de Julie;" and it is remarkable that, though long ago cut down by the brutal selfishness of the monks of St. Bernard (to whom the land appertained), that the ground might be enclosed into a vineyard for the miserable drones of an execrable superstition, the inhabitants of Clarens still point out the spot where its trees stood, calling it by the name which consecrated and survived them. Rousseau has not been particularly fortunate in the preservation of the "local habitations" he has given to "airy nothings." The Prior of Great St. Bernard has cut down some of his woods for the sake of a few casks of wine, and Buonaparte has levelled part of the rocks of Meillerie in improving the road to the Simplon. The road is an excellent one; but I cannot quite agree with a remark which I heard made, that "La route vaut mieux que les souvenirs."