INTRODUCTION TO THE ODE TO NAPOLEON BUONAPARTE.

The dedication of the Corsair, dated January 2, 1814, contains one of Byron's periodical announcements that he is about, for a time, to have done with authorship—some years are to elapse before he will again "trespass on public patience."

Three months later he was, or believed himself to be, in the same mind. In a letter to Moore, dated April 9, 1814 (Letters, 1899, iii. 64), he writes, "No more rhyme for—or rather, from—me. I have taken my leave of that stage, and henceforth will mountebank it no longer." He had already—Journal, April 8 (Letters, 1898, ii. 408)—heard a rumour "that his poor little pagod, Napoleon" was "pushed off his pedestal," and before or after he began his letter to Moore he must have read an announcement in the Gazette Extraordinary (April 9, 1814—the abdication was signed April 11) that Napoleon had abdicated the "throne of the world," and declined upon the kingdom of Elba. On the next day, April 10, he wrote two notes to Murray, to inform him that he had written an "ode on the fall of Napoleon," that Murray could print it or not as he pleased; but that if it appeared by itself, it was to be published anonymously. A first edition consisting of fifteen stanzas, and numbering fourteen pages, was issued on the 16th of April, 1814. A second edition followed immediately, but as publications of less than a sheet were liable to the stamp tax on newspapers, at Murray's request, another stanza, the fifth, was inserted in a later (between the second and the twelfth) edition, and, by this means, the pamphlet was extended to seventeen pages. The concluding stanzas xvii., xviii., xix., which Moore gives in a note (Life, p. 249), were not printed in Byron's lifetime, but were first included, in a separate poem, in Murray's edition of 1831, and first appended to the Ode in the seventeen-volume edition of 1832.

Although he had stipulated that the Ode should be published anonymously, Byron had no objection to "its being said to be mine." There was, in short, no secret about it, and notices on the whole favourable appeared in the Morning Chronicle, April 21, in the Examiner, April 24 (in which Leigh Hunt combated Byron's condemnation of Buonaparte for not "dying as honour dies"), and in the Anti-Jacobin for May, 1814 (Letters, 1899, iii. 73, note 3).

Byron's repeated resolutions and promises to cease writing and publishing, which sound as if they were only made to be broken, are somewhat exasperating, and if, as he pleaded in his own behalf, the occasion (of Napoleon's abdication) was physically irresistible, it is to be regretted that he did not swerve from his self-denying ordinance to better purpose. The note of disillusionment and disappointment in the Ode is but an echo of the sentiments of the "general." Napoleon on his own "fall" is more original and more interesting: "Il céda," writes Léonard Gallois (Histoire de Napoléon d'après lui-même, 1825, pp. 546, 547), "non sans de grands combats intérieurs, et la dicta en ces termes.

'Les puissances alliées ayant proclamé que l'empereur Napoléon était le seul obstacle au rétablissement, de la paix en Europe, l'empereur Napoléon fidèle à son serment, déclare qu'il renonce, pour lui et ses héritiers, aux trônes de France et d'Italie, parce qu'il n'est aucun sacrifice personnel, même celui de la vie, qu'il ne soit prêt à faire à l'intérêt de la France.

Napoléon.'"