[3] ["Have you heard that Don Juan came over with a dedication to me, in which Lord Castlereagh and I (being hand in glove intimates) were coupled together for abuse as 'the two Roberts'? A fear of persecution (sic) from the one Robert is supposed to be the reason why it has been suppressed" (Southey to Rev. H. Hill, August 13, 1819, Selections from the Letters, etc., 1856, iii. 142). For "Quarrel between Byron and Southey," see Introduction to The Vision of Judgment, Poetical Works, 1901, iv. 475-480; and Letters, 1901, vi. 377-399 (Appendix I.).]
[4] [The reference must be to the detailed enumeration of "the powers requisite for the production of poetry," and the subsequent antithesis of Imagination and Fancy contained in the Preface to the collected Poems of William Wordsworth, published in 1815. In the Preface to the Excursion (1814) it is expressly stated that "it is not the author's intention formally to announce a system."]
[5] {5}Wordsworth's place may be in the Customs—it is, I think, in that or the Excise—besides another at Lord Lonsdale's table, where this poetical charlatan and political parasite licks up the crumbs with a hardened alacrity; the converted Jacobin having long subsided into the clownish sycophant [despised retainer,—MS. erased] of the worst prejudices of the aristocracy.
[Wordsworth obtained his appointment as Distributor of Stamps for the county of Westmoreland in March, 1813, through Lord Lonsdale's "patronage" (see his letter, March 6, 1813). The Excursion was dedicated to Lord Lonsdale in a sonnet dated July 29, 1814—
"Oft through thy fair domains, illustrious Peer,
In youth I roamed ...
Now, by thy care befriended, I appear
Before thee, Lonsdale, and this Work present."]
[6] {6}[Paradise Lost, vii. 25, 26.]
[7] {7}"Pale, but not cadaverous:"—Milton's two elder daughters are said to have robbed him of his books, besides cheating and plaguing him in the economy of his house, etc., etc. His feelings on such an outrage, both as a parent and a scholar, must have been singularly painful. Hayley compares him to Lear. See part third, Life of Milton, by W. Hayley (or Hailey, as spelt in the edition before me).
[The Life of Milton, by William Hailey (sic), Esq., Basil, 1799, p. 186.]
[8] Or—
"Would he subside into a hackney Laureate—
A scribbling, self-sold, soul-hired, scorned Iscariot?"
I doubt if "Laureate" and "Iscariot" be good rhymes, but must say, as Ben Jonson did to Sylvester, who challenged him to rhyme with—
"I, John Sylvester,
Lay with your sister."
Jonson answered—"I, Ben Jonson, lay with your wife." Sylvester answered,—"That is not rhyme."—"No," said Ben Jonson; "but it is true."
[For Robert Stewart, Viscount Castlereagh, see The Age of Bronze, line 538, Poetical Works, 1901, v. 568, note 2; and Letters, 1900, iv. 108, note 1.]
[9] {8}For the character of Eutropius, the eunuch and minister at the court of Arcadius, see Gibbon, [Decline and Fall, 1825, ii. 307, 308].
[10] ["Mr. John Murray,—As publisher to the Admiralty and of various Government works, if the five stanzas concerning Castlereagh should risk your ears or the Navy List, you may omit them in the publication—in that case the two last lines of stanza 10 [i.e. 11] must end with the couplet (lines 7, 8) inscribed in the margin. The stanzas on Castlerighi (as the Italians call him) are 11, 12, 13, 14, 15."—MS. M.]
[11] [Commenting on a "pathetic sentiment" of Leoni, the author of the Italian translation of Childe Harold ("Sciagurata condizione di questa mia patria!"), Byron affirms that the Italians execrated Castlereagh "as the cause, by the conduct of the English at Genoa." "Surely," he exclaims, "that man will not die in his bed: there is no spot of the earth where his name is not a hissing and a curse. Imagine what must be the man's talent for Odium, who has contrived to spread his infamy like a pestilence from Ireland to Italy, and to make his name an execration in all languages."—Letter to Murray, May 8, 1820, Letters, 1901, v. 22, note 1.]
[12] {9}[Charles James Fox and the Whig Club of his time adopted a uniform of blue and buff. Hence the livery of the Edinburgh Review.]
[13] I allude not to our friend Landor's hero, the traitor Count Julian, but to Gibbon's hero, vulgarly yclept "The Apostate."
DON JUAN