PART I. SCHILLER'S YOUTH. (1759-1784.)

Introductory remarks: Schiller's high destiny. His Father's career: Parental example and influences. Boyish caprices and aspirations. (p. 3.)—His first schoolmaster: Training for the Church: Poetical glimmerings. The Duke of Würtemberg, and his Free Seminary: Irksome formality there. Aversion to the study of Law and Medicine. (9.)—Literary ambition and strivings: Economic obstacles and pedantic hindrances: Silent passionate rebellion. Bursts his fetters. (13.)—The Robbers: An emblem of its young author's baffled, madly struggling spirit: Criticism of the Characters in the Play, and of the style of the work. Extraordinary ferment produced by its publication: Exaggerated praises and condemnations: Schiller's own opinion of its moral tendency. (17.)—Discouragement and persecution from the Duke of Würtemberg. Dalberg's generous sympathy and assistance. Schiller escapes from Stuttgard, empty in purse and hope: Dalberg supplies his immediate wants: He finds hospitable friends. (28.)—Earnest literary efforts. Publishes two tragedies, Fiesco and Kabale und Liebe. His mental growth. Critical account of the Conspiracy of Fiesco: Fiesco's genial ambition: The Characters of the Play nearer to actual humanity. How all things in the Drama of Life hang inseparably together. (35.)—Kabale und Liebe, a domestic tragedy of high merit: Noble and interesting characters of hero and heroine. (42.)—The stormy confusions of Schiller's youth now subsiding. Appointed poet to the Mannheim Theatre. Nothing to fear from the Duke of Würtemberg. The Public, his only friend and sovereign. A Man of Letters for the rest of his days. (46.)