NERO.

Claudius Cæsar Nero was son of Caius Domitius Ænobarbus and Agrippina, the daughter of Germanicus and wife of the Emperor Claudius, after the death of her first husband. He was adopted by the Emperor Claudius, A.D. 50, and when he was murdered by his wife, four years after, Nero succeeded him on the throne. He possessed excellent talents, and was carefully educated by Seneca and Burrhus. The beginning of his reign was marked by acts of the greatest kindness and condescension, by affability, complaisance and popularity. The object of his administration seemed to be the good of his people; and when he was desired to sign his name for the execution of a malefactor, he exclaimed, “I wish to heaven I could not write!” He appeared to be an enemy to flattery, and when the senate had liberally commended the wisdom of his government, Nero desired them to keep their praises till he deserved them.

But these promising virtues were soon discovered to be artificial, and Nero displayed the real propensities of his nature. He delivered himself from the sway of his mother, and at last ordered her to be assassinated. This unnatural act of barbarity shocked some of the Romans; but Nero had his devoted adherents; and when he declared that he had taken away his mother’s life to save himself from ruin, the senate applauded his measures, and the people signified their approbation. Even Burrhus and Seneca, Nero’s advisers, either counselled or justified his conduct. Many of his courtiers shared the unhappy fate of Agrippina, and Nero sacrificed to his fury or caprice all such as obstructed his pleasures, or stood in the way of his inclinations.

In the night he generally sallied out from his palace, to visit the meanest taverns and the scenes of debauchery in which Rome abounded. In his nocturnal riots he was fond of insulting the people in the streets, and on one occasion, an attempt to offer violence to the wife of a Roman senator nearly cost him his life. He also turned actor, and publicly appeared on the Roman stage, in the meanest characters. He had an absurd passion to excel in music, and to conquer the disadvantages of a hoarse, rough voice, he moderated his meals, and often passed the day without eating.

The celebrity of the Olympic games having attracted his notice, he passed into Greece, and presented himself as a candidate for the public honors. He was defeated in wrestling, but the flattery of the spectators adjudged him the victory, and Nero returned to Rome with all the pomp and splendor of an eastern conqueror, drawn in the chariot of Augustus, and attended by a band of musicians, actors, and stage dancers from every part of the empire.

These private and public amusements of the emperor were comparatively innocent; his character was injured, but not the lives of the people. His conduct, however, soon became more censurable; he was guilty of various acts which cannot be even named with decency. The cruelty of his nature was displayed in the sacrifice of his wives Octavia and Poppæa; and the celebrated writers, Seneca, Lucan, Petronius, &c., became the victims of his wantonness. The Christians did not escape his barbarity. He had heard of the burning of Troy, and as he wished to renew that dismal scene, he caused Rome to be set on fire in different places. The conflagration became soon universal, and during nine successive days the fire was unextinguished. All was desolation; nothing was heard but the lamentations of mothers whose children had perished in the flames, the groans of the dying, and the continual fall of palaces and buildings.

Nero was the only one who enjoyed the general consternation. He placed himself on a high tower and he sang on his lyre the destruction of Troy; a dreadful scene which his barbarity had realized before his eyes. He attempted to avert the public odium from his head, by a feigned commiseration of the sufferings of his subjects, and by charging the fire upon the Christians. He caused great numbers of them to be seized and put to death. Some were covered with the skins of wild beasts, and killed by dogs set upon them; others were crucified; others were smeared with pitch and burned, at night, in the imperial gardens, for the amusement of the people!

Nero began to repair the streets and the public buildings at his own expense. He built himself a celebrated palace, which he called his golden house. It was profusely adorned with gold and precious stones, and with whatever was rare and exquisite. It contained spacious fields, artificial lakes, woods, gardens, orchards, and every device that could exhibit beauty and grandeur. The entrance to this edifice would admit a colossal image of the emperor, one hundred and twenty feet high; the galleries were each a mile long, and the whole was covered with gold. The roofs of the dining halls represented the firmament, in motion as well as in figure, and continually turned round, night and day, showering all sorts of perfumes and sweet waters. When this grand edifice, which, according to Pliny, extended all round the city, was finished, Nero said that he could now lodge like a man!

His profusion was not less remarkable in all his other actions. When he went fishing, his nets were made with gold and silk. He never appeared twice in the same garment, and when he undertook a voyage, there were thousands of servants to take care of his wardrobe. His continued debauchery, cruelty, and extravagance at last roused the resentment of the people. Many conspiracies were formed against him, but they were generally discovered, and such as were accessory, suffered the greatest punishments. One of the most dangerous plots against Nero’s life was that of Piso, from which he was delivered by the confession of a slave. The conspiracy of Galba proved more successful; for the conspirator, when he was informed that his design was known to Nero, declared himself emperor. The unpopularity of Nero favored his cause; he was acknowledged by the whole Roman empire, and the senate condemned the tyrant, that sat on the throne, to be dragged, naked, through the streets of Rome, whipped to death, and afterwards to be thrown from the Tarpeian rock, like the meanest malefactor. This, however, was not done, for Nero, by a voluntary death, prevented the execution of the sentence. He killed himself, A. D. 68, in the thirty-second year of his age, after a reign of thirteen years and eight months.

Rome was filled with acclamations at the intelligence of this event, and the citizens, more strongly to indicate their joy, wore caps such as were generally used by slaves who had received their freedom. Their vengeance was not only exercised against the statues of the deceased tyrant, but his friends were the objects of the public resentment, and many were crushed to pieces in such a violent manner, that one of the senators, amid the universal joy, said that he was afraid they should soon have cause to wish for Nero. The tyrant, as he expired, begged that his head might not be cut off from his body and exposed to the insolence of an enraged populace, but that the whole might be burned on a funeral pile. His request was granted, and his obsequies were performed with the usual ceremonies.

Though his death seemed to be the source of universal gladness, yet many of his favorites lamented his fall, and were grieved to see that their pleasures and amusements were terminated by the death of the patron of debauchery and extravagance. Even the king of Parthia sent ambassadors to Rome to condole with the Romans, and to beg that they would honor and revere the memory of Nero. His statues were also crowned with garlands of flowers, and many believed that he was not dead, but that he would soon make his appearance and take a due vengeance upon his enemies. It will be sufficient to observe, in finishing the character of this tyrannical emperor and detestable man, that the name of Nero is, even now, the common designation of a barbarous and unfeeling oppressor.