1774
The publication of Götz von Berlichingen in the spring of 1773, we have seen, had made Goethe known to the literary world of Germany, and a figure of prime interest to its leading representatives. Hitherto, nevertheless, with the exception of Herder, he had come into personal contact with no men of outstanding note who might hold intercourse with him on anything like equal terms. In the summer of 1774, however, when Clavigo and Werther were on the eve of publication, he was brought into contact with three men, all of whom had already achieved reputation in their respective spheres; and all of whom had visions as distinct from each other as they were distinct from Goethe's own. As it happens, we have records of their intercourse from the hands of three of the four, and, taken together, they present a picture of the youthful Goethe which leaves little to be desired in its fidelity, in its definiteness, in its vividness of colour. During the greater part of two months (from the last week in June till the middle of August) he comes before us in all the splendour of his youthful genius, with all his wild humours, his audacities, his overflowing vitality.
The first of these three notabilities who came in Goethe's way was one of whom he himself said, "that the world had never seen his like, and will not see his like again." He was Johann Kaspar Lavater, born in Zurich in 1741, and thus eight years older than Goethe. Lavater had early drawn the attention of the world to himself. In his sixteenth year he had published a volume of poems (Schweizerlieder) which attained a wide circulation, and a later work (Aussichten in die Ewigkeit) found such acceptance from its vein of mystical piety that he was hailed as a religious teacher who had given a new savour to the Christian life. At the time when he crossed Goethe's path he was engaged on the work on Physiognomy with which his name is chiefly associated, and it was partly with the object of collecting the materials for that work that he was now visiting Germany. But the personality of Lavater was more remarkable than his writings. By his combination of the saint and the man of the world he made a unique impression on all who met him, on Goethe notably among others. That his religious feelings were sincere his lifelong preoccupation with the character of Christ as the great exemplar of humanity may be taken as sufficient proof. To impress the world with the conception he had formed of the person of Christ was the mission of his life, and it was in the carrying out of this mission that his remarkable characteristics came into play. With a face and expression which suggested the Apostle John, he exhibited in society a tact and address which, at this period at least, did not compromise his religious professions. Next to his interest in the Founder of Christianity was his interest in human character, and his divination of the working of men's minds was such that, according to Goethe, it produced an uneasy feeling to be in his presence. Be it added that Lavater was in full sympathy with the leaders of the Sturm und Drang as emancipators from dead formalism, and the champions of natural feeling as opposed to cold intelligence. Such was the remarkable person with whom Goethe was thrown into contact during a few notable weeks, and who has recorded his impressions of him with the insight of a discerner of spirits. As time was to show, they were divided in their essential modes of thought and feeling by as wide a gulf as can separate man from man, and in later years Lavater's compromises with the world in the prosecution of his mission drew from Goethe more stinging comments than he has used in the case of almost any other person.[176] In the passages of his Autobiography, where he records his first intercourse with Lavater, though his tone is distinctly critical, of bitterness there is no trace, and there is the frankest testimony to Lavater's personal fascination and the stimulating interest of his mind and character.
Relations between the two had begun a year before their actual meeting. Lavater had read Goethe's Letter of the Pastor, and his interest in its general line of thought led him to open a correspondence with its author. The reading of Götz, a copy of which Goethe sent to him, convinced him that a portent had appeared in the literary world. "I rejoice with trembling," he wrote to Herder; "among all writers I know no greater genius." Before they met, indeed, Lavater was already dominated by a force that brought home to him a sense of his own weakness to which he gave artless expression. In some lines he addressed to Goethe he takes the tone of a humble disciple, and prays that out of his fulness he would communicate ardour to his feelings and light to his intelligence. Yet in Lavater's eyes Goethe was a brand to be plucked from the burning, and, born proselytiser as he was, he even made the attempt to convert Goethe to his own views of ultimate salvation. In response to his appeal Goethe wrote a letter which should have convinced Lavater that he was dealing with a son of Adam with the ineradicable instincts of the natural man.[177] "Thank you, dear brother," he wrote, "for your ardour regarding your brother's eternal happiness. Believe me, the time will come when we shall understand each other. You hold converse with me as with an unbeliever—one who insists on understanding, on having proofs, who has not been schooled by experience. And the contrary of all this is my real feeling. Am I not more resigned in the matter of understanding and proving than yourself? Perhaps I am foolish in not giving you the pleasure of expressing myself in your language, and in not showing to you by laying bare my deepest experiences that I am a man and therefore cannot feel otherwise than other men, and that all the apparent contradiction between us is only strife of words which arises from the fact that I realise things under other combinations than you, and that in expressing their relativity I must call them by other names; and this has from the beginning been the source of all controversies, and will be to the end. And you will be for ever plaguing me with evidences! And to what end? Do I require evidence that I exist? evidence that I feel? I treasure, cherish, and revere only such evidences as prove to me that thousands, or even one, have felt that which strengthens and consoles me. And, therefore, the word of man is for me the word of God, whether by parsons or prostitutes it has been brought together, enrolled in the canon, or flung as fragments to the winds. And with my innermost soul I fall as a brother on the neck of Moses! Prophet! Evangelist! Apostle! Spinoza or Machiavelli! But to each I am permitted to say: 'Dear friend, it is with you as it is with me; in the particular you feel yourself grand and mighty, but the whole goes as little into your head as into mine.'"
On June 23rd Lavater arrived in Frankfort, where during four days he was entertained as a guest in the Goethe household. The news of his coming had created a lively interest in all sections of the community, and during his stay he was besieged by admiring crowds, especially of women, who insisted even on seeing the bedchamber where the prophet slept. "The pious souls," was Merck's sardonic comment, "wished to see where they had laid the Lord"; but even Merck came under the prophet's spell. The meeting of Lavater and Goethe was characteristic of the time. "Bist's?" was Lavater's first exclamation. "Ich bin's," was the reply; and they fell upon each other's necks. On Lavater's indicating "by some singular exclamations" that Goethe was not exactly what he expected, Goethe replied in the tone of banter which he maintained throughout their personal intercourse, that he was as God and nature had made him, and they must be content with their work. "All spirit (Geist) and truth,"[178] is Lavater's comment on Goethe's conversation at the close of their first day's meeting.
The following days were taken up with excursions and social gatherings in which Lavater was the central figure, entrancing his hearers by his social graces and his apostolic unction. In the Fräulein von Klettenberg he found a kindred soul, and Goethe listened, as he tells us, with profit as they discoursed on the high themes in which they had a common interest. If he derived profit, it was not of a nature that Lavater and the Fräulein would have desired. With the religious opinions of neither was he in sympathy, and when they rejected his own, he says, he would badger them with paradoxes and exaggerations, and, if they became impatient, would leave them with a jest. What is noteworthy in Lavater's record, indeed, is Goethe's communicativeness and spontaneity in all that concerned himself. "So soon as we enter society," is one of his remarks recorded by Lavater, "we take the key out of our hearts and put it in our pockets. Those who allow it to remain there are blockheads."[179]
During his stay in Frankfort Lavater was so constantly surrounded by his admirers that Goethe saw comparatively little of him. On June 28th Lavater left for Ems, and it is a testimony to their mutual attraction that Goethe accompanied him. The day's journey seems to have left an abiding impression on Goethe's memory, as he makes special reference to it in his record of Lavater's visit; and, as it happens, Lavater noted in his Diary the principal topics of their conversation. Travelling in a private carriage during the long summer day, they had an opportunity for abundant talk such as did not occur again. One theme on which Goethe spoke with enthusiasm, it is interesting to note, was Spinoza and his writings, but, as his talk is reported by Lavater, there was no hint in it of the profound change which the study of Spinoza had effected in him. It was to the man and not the thinker that he paid his reverential tribute—to the purity, simplicity, and high wisdom of his life. But Goethe's own literary preoccupations appear to have been the chief subject of their talk. He spoke of a play on Julius Cæsar on which he was engaged, and which remained one of his many abortive ambitions; he read passages from Der Ewige Jude, "a singular thing in doggerel verse," Lavater calls it; recited a romance translated from the Scots dialect; and narrated for Lavater's benefit the whole story of the Iliad, reading passages of the poem from a Latin translation. The memorable day was not to be repeated. At Ems, as at Frankfort, Lavater was taken possession of by a throng of worshippers, and the state of his own affairs at home afforded Goethe an excuse for leaving him.
By a curious coincidence, shortly after Goethe's return, there arrived another prophet in Frankfort—also, like Lavater, out on a mission of his own. This was Johann Bernhard Basedow, whose character and career had made him one of the remarkable figures of his time in Germany. Born in Hamburg in 1723, the son of a peruke-maker there, in conduct and opinions he had been at odds with society from the beginning. In middle age he had come under the influence of Rousseau, and thenceforth he made it his mission by word and deed to realise Rousseau's ideals in education. He had expounded his theories in voluminous publications which had attracted wide attention, and the object of his present travels was to collect funds to establish a school at Dessau in which his educational views should be carried into effect.[180] Goethe, as he himself tells us, had as little sympathy with the gospel of Basedow as with that of Lavater, but, always attracted to originals, Basedow's personality amused and interested him. What gave point to his curiosity was the piquancy of the contrast between the two prophets. Lavater was all grace, purity, and refinement; "in his presence one shrank like a maiden from hurting his feelings." In appearance, voice, manner, on the other hand, Basedow was the incarnation of a hectoring bully, as regardless of others' feelings as he was impermeable in his own. His personal habits, also, were a further trial, as he drank more than was good for him and lived in an atmosphere of vile tobacco smoke. Such was the singular mortal whose society Goethe deliberately sought and cultivated during the next few weeks as opportunity offered.
After spending some days in Frankfort, Basedow, on July 12th, set out to join Lavater at Ems, whether at Goethe's suggestion or of his own accord we are not told. Goethe had seen enough of Basedow to make him wish to see more of him, and, moreover, it would be a piquant experience to see the two incongruous apostles together. "Such a splendid opportunity, if not of enlightenment, at least of mental discipline," he says, "I could not, in short, let slip." Accordingly, leaving some pressing business in the hands of his father and friends, he followed Basedow to Ems on July 15th. Ems, then as now, was a gay watering-place crowded with guests of all conditions, and therefore an excellent field for the two proselytisers. Goethe did not spend his days in the company of the two lights; while they were plying their mission, he threw himself into the distractions of the town, as usual making himself a conspicuous figure by his overflowing spirits and his practical jokes. Only at night, when he did not happen to have a dancing partner, did he snatch a moment to pay a visit to Basedow, whom he found in a close, unventilated room, enveloped in tobacco smoke, and dictating endlessly to his secretary from his couch; for it was one of Basedow's peculiarities that he never went to bed. On one occasion Goethe had an excellent opportunity of observing the contrasted characters of the two prophets. The three had gone to Nassau to visit the Frau von Stein, mother of the statesman, and a numerous company had been brought together to meet them. All three had the opportunity of displaying their special gifts; Lavater his skill in physiognomy, Goethe the gift he had inherited from his mother of story-telling to children; but in the end Basedow asserted himself in his most characteristic style. With a power of reasoning and a passionate eloquence, to which both Goethe and Lavater bear witness, he proclaimed the conditions of the regeneration of society—the improved education of youth and the necessity for the rich to open their purses for its accomplishment. Then, his wanton spirit as usual getting the better of him, he turned the torrent of his eloquence in another direction. A thorough-going rationalist, his pet aversion was the dogma of the Trinity, and on that dogma he now directed his batteries, with the effect of horrifying his audience, most of whom had come to be edified by the pious exhortations of Lavater. Lavater mildly expostulated; Goethe endeavoured by jesting interruptions to change the subject, and the ladies to break up the company. All their efforts were in vain, and the apostle of Rousseau had the satisfaction of completely unbosoming himself and at the same time forfeiting some contributions to his educational scheme. As they drove back to Ems, Goethe took a humorous revenge. The heat of a July day and his recent vocal exertions had made the prophet thirsty, and as they passed a tavern he ordered the driver to pull up. Goethe imperiously countermanded the order, to the wrath of Basedow, which Goethe turned aside, however, with one of his ever-ready quips.
The strangely-assorted trio were not yet tired of each other's company, for, when on July 18th Lavater left Ems, both Goethe and Basedow accompanied him. Their way lay down the Lahn and the Rhine, and on the voyage Basedow and Goethe conducted themselves like German students on holiday—the former discoursing on grammar and smoking everlastingly, the latter improvising doggerel verses and the beautiful lines beginning: Hoch auf dem alten Turme steht. On landing at Coblenz the behaviour of the pair was so outrageous that all three were apparently taken by the crowd for lunatics. At Coblenz they dined, and the dinner has its place in literature, for both in his Autobiography and in some sarcastic lines (Diné zu Coblenz) Goethe has commemorated it. He sat between Lavater and Basedow, and during the meal the former expounded the Revelation of St. John to a country pastor, and the latter exerted himself to prove to a stolid dancing-master that baptism was an anachronism.
On the 20th they continued their voyage down the Rhine as far as Bonn—Goethe still in the same madcap humour. Lavater gives us a picture of him at one moment on the voyage—with gray hat, adorned with a bunch of flowers, with a brown silk necktie and gray collar, gnawing a Butterbrot like a wolf. From Bonn they drove to Cologne, Goethe on the way inscribing in an album the concluding lines of the Diné zu Coblenz:—
Und, wie nach Emmaus, weiter ging's Mit Geist und Feuerschritten, Prophete rechts, Prophete links, Das Weltkind in der Mitten. |
At Cologne they parted for the day, Lavater proceeding to Mülheim[181] and Goethe to Düsseldorf. On the 21st Goethe was at Elberfeld, where his former friend Jung Stilling was settled as a physician. Stilling has related how Goethe made him aware of his presence. A message came to him that a stranger, who had been taken ill at an inn, wished to see him. He found the stranger in bed with head covered, and when at his request he leant over to feel his pulse, the patient flung his arms round his neck. On the evening of the same day there was a social gathering at the house of a pious merchant in the town in honour of Lavater, who had come to Elberfeld and was the merchant's guest. As described by Stilling, the guests, chiefly consisting of persons of the pietist persuasion, were as remarkable for their appearance as for their opinions, and the artist who accompanied Lavater in his travels busily sketched their heads throughout the evening. Goethe was in his wildest mood, dancing round the table in a manner familiar to those who knew him, but which led the strangers present to doubt his sanity. It was apparently during the same evening that there occurred an incident which, as recorded by Lavater, shows us another side of Goethe. Among the guests was one Hasenkamp, a pietistic illuminist, who suddenly, when the company was in the full flow of amicable conversation, turned to Goethe and asked him if he were the Herr Goethe, the author of Werther. "Yes," was the answer. "Then I feel bound in my conscience to express to you my abhorrence of that infamous book. Be it God's will to amend your perverted heart!" The company did not know what to expect next, when Goethe quietly replied: "I quite understand that from your point of view you could not judge otherwise, and I honour you for your candour in thus taking me to task. Pray for me!"[182]
Among the guests who were present at the same motley gathering was the third distinguished personage whose acquaintance Goethe made during these memorable weeks. This was Fritz Jacobi, one of the interesting figures in the history of German thought, alike by his personal character and the nature of his speculations. Goethe and he had common friends before they met, but their relations had been such as to make their meeting a matter of some delicacy. Goethe had satirised the poetry of Jacobi's brother Georg, and in his correspondence even vehemently expressed his dislike to the characters of both brothers as he had been led to conceive them. Three women—Sophie von la Roche, Johanna Fahlmer, the aunt of the Jacobis, and Betty Jacobi, their sister, all of whom Goethe counted among his friends—had endeavoured to effect a reconciliation between Goethe and the two brothers, but eventually it was Goethe's own impulsive good nature that led to their meeting. The Jacobis lived in Düsseldorf, and the morning after his arrival in the town he called at their house, but found that Fritz had gone to Pempelfort, a place in the neighbourhood where he had an estate. Goethe at once set out for Pempelfort, and in a letter to the wife of Fritz he characteristically describes the circumstances of the meeting. "It was glorious that you did not happen to be in Düsseldorf and that I did what my simple heart prompted me. Without introduction, without being marshalled in, without excuses, just dropping straight from heaven before Fritz Jacobi! And he and I, and I and he! And, before a sisterly look had done the preliminaries, we were already what we were bound to be and could be."[183]
Fritz Jacobi possessed a combination of qualities that were expressly fitted to impress Goethe at the period when they met. Handsome in person, and with the polished manners of a man of the world, he conjoined a practical talent for business with a passionate interest in all questions touching human destiny. About six years Goethe's senior, he was, on Goethe's own testimony, far ahead of him in the domain of philosophical thought. After Herder, Jacobi was indeed the most stimulating personality Goethe had met. While his intercourse with Lavater and Basedow had been only a source of entertainment, from Jacobi he received a stimulus which opened up new depths of thought and feeling.
Both Goethe and Jacobi have left records of their intercourse, and both are equally enthusiastic regarding the profit they derived from it. From the first moment of their meeting there was a spontaneous interchange of their deepest thoughts and feelings, unique in the experience of both. In Jacobi's company Goethe became another man from what he had been in the company of Lavater and Basedow. "I was weary," he says, "of my previous follies and wantonness, which, in truth, only concealed my dissatisfaction that this journey had brought so little profit to my mind and heart. Now, therefore, my deepest feelings broke forth with irrepressible force." After a few days spent at Pempelfort, during which Georg Jacobi joined them, the two brothers accompanied Goethe to Cologne on his homeward journey. It was during the hours they were together at Cologne that the conversation of Fritz and Goethe became most intimate, and these hours remained a moving memory with both even when in after years divided aims and interests had estranged them. A visit to the cathedral of Cologne recalled Goethe's enthusiasm for the cathedral of Strassburg, but its unfinished condition depressed him with the sense of a great idea unrealised, for in his own words "an unfinished work is like one destroyed." The emotions evoked by another spectacle in Düsseldorf, according to Goethe's own testimony, had the instantaneous effect of his gaining for life the confidence of both Jacobis. The sight which equally moved all three was the unchanged interior of the mansion of a citizen of Cologne named Jabach, who a century before had been distinguished as an amateur of the fine arts. But what specially impressed them was a picture by Le Brun representing Jabach and his family in all the freshness of life, and the consequent reflection that this picture was the sole memorial that they had ever lived. "This reflection," Georg Jacobi comments, "made a profound impression on our stranger,"[184] and the impression must have been abiding, since in no passage of his Autobiography does he recall more vividly the emotions of a vanished time.
The evening of the day they spent in Cologne is noted both by Goethe and Fritz Jacobi as marking a point in their intellectual development. The inn in which they were quartered overlooked the Rhine, the murmur of whose moonlit waters was attuned to the sentiments that had been evoked in the course of the day. In the prospect of their near parting all three were disposed to confidential self-revelations, and the conversation ran on themes regarding which they had all thought and felt much—on poetry, religion, and philosophy. As usual with him when he was in congenial company, Goethe freely declaimed such pieces of verse as happened at the time to be interesting him—the verses on this occasion being Scottish ballads and two poems of his own, Der König von Thule, and Der untreue Knabe. In philosophy the talk turned mainly on Spinoza, of whom Goethe spoke "unforgettably."[185] "What hours! what days," wrote Fritz immediately after their parting, "thou soughtest me about midnight in the darkness; it was as if a new soul were born within me. From that moment I could not let thee go."[186] Neither, in the ecstasy of these moments, dreamt that at a later day Spinoza, who was now their strongest bond of union, was to be the main cause of their estrangement. For Jacobi Spinoza became the "atheist," to be reprobated as one of the world's false prophets; while for Goethe he remained to the end the man to whom God had been nearest and to whom He had been most fully revealed.
Shortly after parting with Goethe, Fritz Jacobi communicated his impression of him to Wieland in the following words: "The more I think of it, the more intensely I realise the impossibility of conveying to one who has not seen or heard Goethe any intelligible notion of this extraordinary creation of God. As Heinse[187] expressed it, 'Goethe is a genius from the crown of his head to the sole of his foot,' one possessed, I may add, for whom it is impossible to act from mere caprice. One has only to be with him for an hour to feel the utter absurdity of desiring him to think and act otherwise than he thinks and acts. By this I don't mean to suggest that he cannot grow in beauty and goodness, but that in his case such growth must be that of the unfolding flower, of the ripening seed, of the tree soaring aloft and crowning itself with foliage."[188]
On leaving the Jacobis Goethe proceeded to Ems, where he again met Lavater and Basedow. On the day following Lavater went home, and Goethe and Basedow remained till the second week of August. On the 13th Goethe was in his father's house, and in a state of exaltation after his late experiences, to which he gives lively expression in a letter to Fritz Jacobi. "I dream of the moment, dear Fritz, I have your letter and hover around you. You have felt what a rapture it is to me to be the object of your love. Oh! the joy of believing that one receives more from others than one gives. Oh, Love, Love! The poverty of riches—what force works in me when I embrace in him all that is wanting in myself, and yet give to him what I have.... Believe me, we might henceforth be dumb to each other, and, meeting again after many a day, we should feel as if we had all along been walking hand in hand."[189]
In the first weeks of October Goethe made personal acquaintance with a more distinguished personage than either Lavater or Basedow or Jacobi—"the patriarch of German poetry," Klopstock, the author of the Messias.[190] Since his childhood, the name of Klopstock had been familiar to Goethe. To his conservative father, the Messias, as written in unrhymed verse, was a monstrosity in German literature, and he refused to give it a place in his library. Surreptitiously introduced into the house, however, Goethe had read it with enthusiasm and committed its most striking passages to memory. And he had retained his admiration throughout all the successive changes in his own literary ideals. Like all the youth of his generation, he saw in Klopstock a great original genius to whom German poetry owed emancipation from conventional forms and new elements of thought, feeling, and imagination. Klopstock, on his part, had been interested in the rising genius whose Götz von Berlichingen had taken the world by storm, and had signified through a common friend that he would be gratified to see other works from his hand. Goethe had responded in the spirit of a youthful adorer, conscious of the honour which the request implied. "And why should I not write to Klopstock," he wrote, "and send him anything of mine, anything in which he can take an interest? May I not address the living, to whose grave I would make a pilgrimage?"[191]
These communications took place in May, and in the beginning of October Goethe received an invitation from Klopstock to meet him at Friedberg. Owing to some delay on his journey, however, Klopstock did not appear at the time appointed, but, gratified by Goethe's eagerness to meet him, he shortly afterwards came to Frankfort and was for a few days a guest in the Goethe household. From Goethe's account of their intercourse we gather that their intercourse was not wholly satisfactory to either. Klopstock was in his fiftieth year, and his somewhat self-conscious and pedantic manner did not encourage effusion.[192] Like certain other poets he affected the tone of a man of the world and deliberately avoided topics relative to his own art. The two themes on which he expanded were riding and skating—of which latter pastime he had indeed made himself the laureate. Goethe himself was passionately fond of both exercises, but from "the patriarch of German poetry" he might have expected discourse on higher themes. Apparently, however, their relations remained sufficiently cordial, as, when Klopstock took his departure, Goethe accompanied him to Mannheim. On his way home in the post-carriage Goethe gave utterance to his feelings in some rhapsodical lines—An Schwager Kronos—(To Time the Postillion)—which may be regarded as a commentary on his impressions of the great man. Written in the unrhymed, irregular measure which Klopstock had been the first to employ, and containing phrases directly borrowed from Klopstock, they give passionate expression to his desire for a life, brief it might be, but a life alive to the end with the zest of living. It was the sentiment of the youth of the Sturm und Drang, which the chilling impression he had received from Klopstock doubtless evoked with rebounding force during his solitary drive home in the post-carriage.[193]
In the same month of October Goethe had other visitors less distinguished, youths of his own age, who came to pay homage to him as their acknowledged leader in the literary revolution of which Götz had been the manifesto. We have seen the impressions Goethe made upon his seniors like Lavater and Fritz Jacobi; how he struck his more youthful acquaintances is recorded by two of them—both poets of some promise who had attracted attention by their contempt of conventionalities. It will be seen that their language shows that Goethe's own exuberant style in his correspondence of the period was not peculiar to himself. The first to come was H.C. Boie, an ardent worshipper of Klopstock, and one of the heroes of the Sturm und Drang. "I have had a superlative, delightful day," Boie records, "a whole day spent alone and uninterrupted with Goethe—Goethe whose heart is as great and noble as his mind! The day passes my description." The other visitor, F.A. Werthes, who comprehensively worshipped both Klopstock and Wieland, leaves Boie behind in the exuberance of his impressions. "This Goethe," he wrote to Fritz Jacobi, "of whom from the rising of the sun to the going down thereof and from the going down thereof to its rising I should like to speak and stammer and rhapsodise with you ... this Goethe has, as it were, transcended all the ideals I had ever conceived of the direct feeling and observation of a great genius. Never could I have so well explained and sympathised with the feelings of the disciples on the way to Emmaus when they said: 'Did not our heart burn within us while He talked with us by the way?' Let us make of him our Lord Christ for evermore, and let me be the least of His disciples. He has spoken so much and so excellently with me; words of eternal life which, so long as I live, shall be my articles of faith."[194] Apart from its relation to Goethe, it will be seen that Werthes' letter is a document of the time, bringing before us, as it does, the strained and distorted sentiment, sufficiently apparent in Goethe himself, but which he, almost alone of the youths of his generation, was strong enough to hold in check.
In the following month (December) Goethe received still another visit—a visit which was directly to lead to the most decisive event in his life. As he was sitting one evening in his own room, a stranger was ushered in, whom in the dusk he mistook for Fritz Jacobi. The stranger was Major von Knebel, who had served in the Prussian army, but was now on a tour with the young princes of Weimar, Carl August and Constantin, to the latter of whom he was acting as tutor. Knebel was keenly interested in literature, was a poet himself, and an ardent admirer of Goethe. There followed congenial talk which was to be the beginning of a friendship that, unlike most of Goethe's youthful friendships, was to endure into the old age of both. But Knebel had come on a special errand; the young princes had expressed the desire to become acquainted with the man who had made merry with their instructor Wieland, and whose name was in all men's mouths as the author of the recently published Werther. Nothing loth, Goethe accompanied Knebel to the princes, and in the interviews that followed he displayed all the tact that characterised his subsequent intercourse with the great. Studiously avoiding all reference to his own productions, he turned the conversation on subjects of public interest, on which he spoke with a fulness of knowledge that convinced his hearers that the author of Werther was not an effeminate sentimentalist. So favourable was the impression he made on the princes that they expressed a wish that he would follow them to Mainz and spend a few days with them there. The proposal was highly acceptable to Goethe, but there was a difficulty in the way. The Herr Rath was a sturdy republican, and had an ingrained aversion to the nobility as a class. In his opinion, for a commoner to seek intercourse with that class was to compromise his self-respect and to invite humiliation, and he roundly maintained that in seeking his son's acquaintance the princes were only laying a train to pay him back for his treatment of Wieland. When the Goethe household was divided on important questions, it was their custom to refer to the Fräulein von Klettenberg as arbiter. That sainted lady was now on a sick-bed, but through the Frau Rath she conveyed her opinion that the invitation of the princes should be accepted. To Mainz, therefore, Goethe went in company with Knebel, who had remained behind to see more of him, and his second meeting with the two boys completed his conquest of them. Any resentment they may have entertained for his attack on Wieland was removed by his explanation of its origin, and it was with mutual attraction that both parties separated after a few days' cordial intercourse. Thus were established the relations which within a year were to result in Goethe's departure from "accursed Frankfort," and his permanent settlement at the Court of Weimar.
As it happens, we have a record of Knebel's impression of Goethe during their few days' intercourse, which as a characterisation comes next in interest to that of Kestner already quoted. "From Wieland," he writes, "you will have been able to learn that I have made the acquaintance of Goethe, and that I think somewhat enthusiastically of him. I cannot help myself, but I swear to you that all of you, all who have heads and hearts, would think of him as I do if you came to know him. He will always remain to me one of the most extraordinary apparitions of my life. Perhaps the novelty of the impression has struck me overmuch, but how can I help it if natural causes produce natural workings in me?... Goethe lives in a state of constant inward war and tumult, since on every subject he feels with the extreme of vehemence. It is a need of his spirit to make enemies with whom he can contend; moreover, it is not the most contemptible adversaries he will single out. He has spoken to me of all those whom he has attacked with special and genuinely felt esteem. But the fellow delights in battle; he has the spirit of an athlete. As he is probably the most singular being who ever existed, he began as follows one evening in Mainz in quite melancholy tones: 'I am now good friends again with everybody—with the Jacobis, with Wieland; and this is not as it should be with me. It is the condition of my being that, as I must have something which for the time being is for me the ideal of the excellent, so also I must have an ideal against which I can direct my wrath.'"[195]
On Goethe's return to Frankfort sad news awaited him; during his absence the Fräulein von Klettenberg, whom he had left on her sick-bed, had died. It was the severest personal loss he had yet sustained by death. After his sister she had been the chief confidant of all his troubles, his hopes, and ambitions, and he never left her presence without feeling that for the time he had been lifted out of himself. The relations between Goethe and her, indeed, show him in his most attractive light. He had never disguised from her the fact that he could not share the faith by which she lived; he was, as we have seen, even in the habit of jesting at her most cherished beliefs; but there was never a shade of alienation between them. "Bid him adieu," was her last message to him through his mother; "I have held him very dear."[196] Take it as we may, it is the singular fact that by none was Goethe regarded with more affectionate esteem than by the two pious mystics, Jung Stilling and Fräulein von Klettenberg.