But to return to our ghosts. These four gentlemen must now and again, during their earthly existence, have sat down to a merry game of cards. There must have been evenings when nobody was stabbed. Why choose an unpleasant occasion to harp exclusively upon it? Why do ghosts never give a cheerful show? The lady who was poisoned! there must have been other evenings in her life. Why does she not show us “The first meeting”: when he gave her the violets and said they were like her eyes? He wasn’t always poisoning her. There must have been a period before he ever thought of poisoning her. Cannot these ghosts do something occasionally in what is termed “the lighter vein”? If they haunt a forest glade, it is to perform a duel to the death, or an assassination. Why cannot they, for a change, give us an old-time picnic, or “The hawking party,” which, in Elizabethan costume, should make a pretty picture? Ghostland would appear to be obsessed by the spirit of the Scandinavian drama: murders, suicides, ruined fortunes, and broken hearts are the only material made use of. Why is not a dead humorist allowed now and then to write the sketch? There must be plenty of dead comic lovers; why are they never allowed to give a performance?