FOOTNOTES:

[18]

A Bull, thou seem’st to lead us; on thy head
Horns have grown forth: wast heretofore a beast?
For such thy semblance now.

[19] The sudden inspiration, e. g. of the blind Oedipus, in the second play bearing his name, by which he is enabled, ἄθικτος ἡγητῆρος [‘without a guide’], to lead the way to his place of death, in our judgement, produces more poetical effect than all the skilful intricacy of the plot of the Tyrannus. The latter excites an interest which scarcely lasts beyond the first reading—the former decies repetita placebit.

[20] In seeing the picture one is at the same time learning,—gathering the meaning of things.

[21] It is the charm of the descriptive poetry of a religious mind, that nature is viewed in a moral connexion. Ordinary writers (e. g.) compare aged men to trees in autumn—a gifted poet will reverse the metaphor. Thus:—

‘How quiet shows the woodland scene!
Each flower and tree, its duty done,
Reposing in decay serene,
Like weary men when age is won,’ &c.

[22] We would here mention Rogers’s Italy, if such a cursory notice could convey our high opinion of its merit.

[23] The difference between oratory and poetry is well illustrated by a passage in a recent tragedy.

Col. Joined! by what tie?
Rien. By hatred—
By danger—the two hands that tightest grasp
Each other—the two cords that soonest knit
A fast and stubborn tie; your true love knot
Is nothing to it. Faugh! the supple touch
Of pliant interest, or the dust of time,
Or the pin-point of temper, loose or rot
Or snap love’s silken band. Fear and old hate,
They are sure weavers—they work for the storm,
The whirlwind, and the rocking surge; their knot
Endures till death.

The idea is good, and if expressed in a line or two, might have been poetry—spread out into nine or ten lines, it yields but a languid and ostentatious declamation.

[24] A living prelate, in his Academical Prelections, even suggests the converse of our position—‘Neque enim facile crediderim de eo qui semel hac imbutus fuerit disciplina, qui in id tota mentis acie assuefactus fuerit incumbere, ut quid sit in rebus decens, quid pulchrum, quid congruum, penitus intueretur, quin idem harum rerum perpetuum amorem foveat, et cum ab his studiis discesserit, etiam ad reliqua vitae officia earum imaginem quasi animo infixam transferat.

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