FOOTNOTES:

[14] My father was one of those who mistook his talent after all. He used to be very much dissatisfied that I preferred his Letters to his Sermons. The last were forced and dry; the first came naturally from him. For ease, half-plays on words, and a supine, monkish, indolent pleasantry, I have never seen them equalled.

[15] He complained in particular of the presumption of his attempting to establish the future immortality of man, ‘without’ (as he said) ‘knowing what Death was or what Life was’—and the tone in which he pronounced these two words seemed to convey a complete image of both.

[16] He had no idea of pictures, of Claude or Raphael, and at this time I had as little as he. He sometimes gives a striking account at present of the Cartoons at Pisa by Buffamalco and others; of one in particular, where Death is seen in the air brandishing his scythe, and the great and mighty of the earth shudder at his approach, while the beggars and the wretched kneel to him as their deliverer. He would, of course, understand so broad and fine a moral as this at any time.