Martin Trevor would have been surprised had he known himself the object of so much attention. His attitude towards Joanna was one of indifference based on dislike—her behaviour towards Mr. Pratt had disgusted him at the start, but his antipathy was not all built on that foundation. During the weeks he had been at home, he had heard a good deal about her—indeed he had found her rather a dominant personality on the Marsh—and what he had heard had not helped turn him from his first predisposition against her.
As a young boy he had shared his brother's veneration of the Madonna, and though, when he grew up, his natural romanticism had not led him his brother's way, the boyish ideal had remained, and unconsciously all his later attitude towards women was tinged with it. Joanna was certainly not the Madonna type, and all Martin's soul revolted from her broad, bustling ways—everywhere he went he heard stories of her busyness and her bluff, of "what she had said to old Southland," or "the sass she had given Vine." She seemed to him to be an arrant, pushing baggage, running after notoriety and display. Her rudeness to Mr. Pratt was only part of the general parcel. He looked upon her as sexless, too, and he hated women to be sexless—his Madonna was not after Memling but after Raphael. Though he heard constant gossip about her farming activities and her dealings at market, he heard none about her passions, the likelier subject. All he knew was that she had been expected for years to marry Arthur Alce, but had not done so, and that she had also been expected at one time to marry her looker, but had not done so. The root of such romances must be poor indeed if this was all the flower that gossip could give them.
Altogether he was prejudiced against Joanna Godden, and the prejudice did not go deep enough to beget interest. He was not interested in her, and did not expect her to be interested in him; therefore it was with great surprise, not to say consternation, that one morning at New Romney Market he saw her bearing down upon him with the light of battle in her eye.
"Good morning, Mr. Trevor."
"Good morning, Miss Godden."
"Fine weather."
"Fine weather."
He would have passed on, but she barred the way, rather an imposing figure in her bottle-green driving coat, with a fur toque pressed down over the flying chestnut of her hair. Her cheeks were not so much coloured as stained deep with the sun and wind of Walland Marsh, and though it was November, a mass of little freckles smudged and scattered over her skin. It had not occurred to him before that she was even a good-looking creature.
"I'm thinking, Mr. Trevor," she said deliberately, "that you and me aren't liking each other as much as we should ought."
"Really, Miss Godden. I don't see why you need say that."
"Well, we don't like each other, do we? Leastways, you don't like me. Now"—lifting a large, well-shaped hand—"you needn't gainsay me, for I know what you think. You think I was middling rude to Mr. Pratt in Pedlinge street that day I first met you—and so I think myself, and I'm sorry, and Mr. Pratt knows it. He came around two weeks back to ask about Milly Pump, my chicken-gal, getting confirmed, and I told him I liked him and his ways so much that he could confirm the lot, gals and men—even old Stuppeny who says he's been done already, but I say it don't matter, since he's so old that it's sure to have worn off by this time."
Martin stared at her with his mouth open.
"So I say as I've done proper by Mr. Pratt," she continued, her voice rising to a husky flurry, "for I'll have to give 'em all a day off to get confirmed in, and that'll be a tedious affair for me. However, I don't grudge it, if it'll make things up between us—between you and me, I'm meaning."
"But, I—I—that is, you've made a mistake—your behaviour to Mr. Pratt is no concern of mine."
He was getting terribly embarrassed—this dreadful woman, what would she say next? Unconsciously yielding to a nervous habit, he took off his cap and violently rubbed up his hair the wrong way. The action somehow appealed to Joanna.
"But it is your concern, I reckon—you've shown me plain that it is. I could see you were offended at the Farmers' Dinner."
A qualm of compunction smote Martin.
"You're showing me that I've been jolly rude."
"Well, I won't say you haven't," said Joanna affably. "Still you've had reason. I reckon no one ud like me better for behaving rude to Mr. Pratt ..."
"Oh, damn Mr. Pratt!" cried Martin, completely losing his head—"I tell you I don't care tuppence what you or anyone says or does to him."
"Then you should ought to care, Mr. Trevor," said Joanna staidly, "not that I've any right to tell you, seeing how I've behaved. But at least I gave him a harmonium first—it's only that I couldn't abide the fuss he made of his thanks. I like doing things for folks, but I can't stand their making fools of themselves and me over it."
Trevor had become miserably conscious that they were standing in the middle of the road, that Joanna was not inconspicuous, and if she had been, her voice would have made up for it. He could see people—gaitered farmers, clay-booted farm-hands—staring at them from the pavement. He suddenly felt himself—not without justification—the chief spectacle of Romney market-day.
"Please don't think about it any more, Miss Godden," he said hurriedly. "I certainly should never presume to question anything you ever said or did to Mr. Pratt or anybody else. And, if you'll excuse me, I must go on—I'm a farmer now, you know," with a ghastly attempt at a smile, "and I've plenty of business in the market."
"Reckon you have," said Joanna, her voice suddenly falling flat.
He snatched off his cap and left her standing in the middle of the street.