Gervase did not think it advisable to go near his family when the time came for him to leave Vinehall for Thunders Abbey. He would have liked to see his mother, but knew too well that the interview would end only in eau de Cologne and burnt feathers. Since he was exiled, it was best to accept his exile as a working principle and not go near the house. He knew that later on he would be given opportunities to see his parents, and by then time might have made them respectively less hostile and less hysterical.
So he wrote his mother a very affectionate letter, trying to explain what he was going to do, but not putting any great faith in her understanding him. He told her that he would be able to come and see her later, and sent his love to Doris and Peter and his father. He also wrote a line to Mary. His personal farewells were for Stella and Jenny only.
To Stella he said goodbye the day before he left. He found her making preparations for her own departure. She and her father were leaving for Canada as soon as Mrs. Peter Alard was through her confinement, which she expected in a couple of weeks. The practice had been sold, and the escape into a new life and a new country was no longer a possible resort of desperation but a fixed doom for her unwilling heart.
All she had been able to do during the last weeks had been to let her father act without interference. Her entire conflict had been set in withholding herself from last-moment entreaties to stay, from attempts at persuading him to withdraw from negotiations over the practice, from suggestions that their departure should be put off to the end of the summer. So negative had been her battle that she had never felt the thrill of combat—instead she felt utterly crushed and weary. She felt both dead and afraid ... the only moments in which she seemed to live were the moments in which she encountered Peter, passing him occasionally on the road or meeting him in a neighbour’s house. They were terrible moments of fiery concentrated life—she was glad afterwards to fall back into her stupor. She and he had had no more private conversations—she was able to pursue her negative battle to the extent of avoiding these—but his mere presence seemed to make alive a Stella Mount who was dying, whose death she sometimes thought of as a blessing and sometimes as a curse.
When she saw Gervase, so quiet and sweet-tempered and happy, she wondered if she would possibly be like that when her love for Peter was dead, as his for her was dead. But then his love for her was not dead—that was the whole point; like Enoch, it was translated—it was not, because God had taken it. As she looked into his peaceful eyes, her own filled with tears. She wondered if he had won his battle so quickly because it had been a slighter one than hers, or because he was better armed. Probably because of both. He was younger than she, his passions still slept in his austere, hard-working youth—and would probably awake only to find themselves reborn in his religious life—also, she realised that he might be naturally spiritual, whereas she had never been more than spiritually natural—a distinction. He was a man born to love God as she had been born to love men, and she knew that, in spite of all he said, he would have found his beloved sooner or later without any help of hers.
“Goodbye, dear Gervase,” she said, and pressed his hand.
“Goodbye, Stella”—surprisingly he kissed her, like another girl. She had not thought he would dare kiss her at all, and this warm, light, natural kiss—the kiss of a gentle friend—showed her a self-conquest more complete than any she had imagined—certainly than any she would ever know. She might be strong enough to deny her kisses to Peter, but she would never be able to give him the kiss of a friend.