If we now turn to the substances used in the magical rites, as means of ritual transference of the spell, we find in canoe magic, dried lalang grass, dried banana leaf, dried pandanus leaf, all used in the magic of lightness. A stale potato is employed to carry away the heaviness of the canoe; although on another occasion heaviness is thrown away with a bunch of lalang grass. The leaves of two or three shrubs and weeds, which as a rule the natives take to dry their skin after bathing, are used for magical cleansing of a canoe body, and a stick and a torch serve in other rites of exorcism. In the rite associated with the blackening of a canoe, charred remains of several light substances such as lalang grass, the nest of a small, swift bird, the wings of a bat, coco-nut husk and the twigs of an extremely light mimosa tree are employed.
It is easy to see that, not less than the words, the substances here used are associated with the aim of the magic, that is, with lightness, with swiftness and with flying.
In the magic of the Kula we find betel-nut, crushed with lime in a mortar, used to redden the tip of the canoe. Betel-nut is also given to a partner, after it has been charmed over with a seducing spell. Aromatic mint, boiled in coco-nut oil and ginger root are also used in the mwasila. The conch-shell, and the cosmetic ingredients, charmed over on Sarubwoyna beach are really part of the outfit, and so is the lilava bundle. All the substances used in this magic are associated either with beauty and attractiveness (betel-nut, cosmetics, the mint plant) or with excitement (conch-shell, chewed betel-nut). Here therefore, it is not with the final aim—which is the obtaining of valuables—that the magic is concerned, but with the intermediate one, that is that of being agreeable to one’s partner, of putting him into a state of excitement about the Kula.