SECTION I.

NOUNS SUBSTANTIVE.

The power of Language essentially consists, in two things; first, in our having marks of our SENSATIONS, and IDEAS: and, secondly, in so arranging them, that they may correctly denote a TRAIN of those mental states or feelings. It is evident, that if we convey to others the ideas which pass in our own minds, and also convey them in the order in which they pass, the business of COMMUNICATION is completed. And, if we establish the means of reviving the ideas which we have formerly had, and also of reviving them in the order in which we formerly had them, the business of RECORDATION is completed. We now proceed to show, by what contrivances, the expedient of Marking is rendered efficient to those several ends.

The primary importance to men, of being able to make known to one another their SENSATIONS, made them in all probability begin with inventing marks for that purpose; in other words, making Names for their SENSATIONS. Two modes presented themselves. One was to give a name to each single sensation. Another was to bestow a name on a cluster of sensations, whenever they were such as occur in a cluster. Of this latter class, are all names of what are called External Objects; rose, water, stone, and so on. Each of these names is the mark of as many sensations (sight, touch, smell, taste, sound) as we are said to derive from those objects. The name rose, is the 135 mark of a sensation of colour, a sensation of shape, a sensation of touch, a sensation of smell, all in conjunction. The name water, is the mark of a sensation of colour, a sensation of touch, a sensation of taste, and other sensations, regarded not separately, but as a compound.41

41 It is not intended to be understood that all this complex meaning entered into the names as originally given. The process of naming seems to have been this: Each object was designated by a term expressive of some one prominent quality, and of that only. Thus rose is referred with every probability to the same root as the adjective red (compare Greek ῥόδον, a rose, ἑρυθρὸς red, German roth, Latin rutilus), and thus meant “the ruddy” (flower). Other objects would doubtless also be called “ruddy,” and would dispute the epithet with the rose; but by a process of natural selection, each would settle down in possession of the term found best suited to distinguish it; which would thus cease to be an attributive, and become a name substantive with a complex connotation derived from association. All names of objects whose origin can be traced are found to be thus simple in their primary signification. The stars (Sans. staras) were so called because they were “strewers” (of light).—F.

There is a convenience in giving a single mark to any number of sensations, which we thus have in clusters; because there is hence a great saving of marks. The sensations of sight, of touch, of smell, and so on, derived from a rose, might have received marks, and have been enumerated, one by one; but the term rose, performs all this much more expeditiously, and also more certainly.

The occasions, however, are perpetual, on which we need marks for sensations, not in clusters, but taken separately. And language is supplied with 136 names of this description. We have the terms, red, green, hot, cold, sweet, bitter, hard, soft, noise, stench, composing in the whole a numerous class. For many sensations, however, we have not names in one word; but make a name out of two or more words: thus, for the sensation of hearing, derived from a trumpet, we have only the name, “sound of a trumpet;” in the same manner, we have “smell of a rose,” “taste of an apple,” “sight of a tree,” “feeling of velvet.”

Of those names which denote clusters of sensations, it is obvious (but still very necessary) to remark, that some include a greater, some a lesser number of sensations. Thus, stone includes only sensations of touch, and sight. Apple, beside sensations of touch and sight, includes sensations of smell and taste.

We not only give names to clusters of sensations, but to clusters of clusters; that is, to a number of minor clusters, united into a greater cluster. Thus we give the name wood to a particular cluster of sensations, the name canvas to another, the name rope to another. To these clusters, and many others, joined together in one great cluster, we give the name ship. To a number of these great clusters united into one, we give the name fleet, and so on. How great a number of clusters are united in the term House? And how many more in the term City?

Sensations being infinitely numerous, all cannot receive marks or signs. A selection must be made. Only those which are the most important are named.

Names, to be useful, cannot exceed a certain number. They could not otherwise be remembered. It is, therefore, of the greatest importance that each name should accomplish as much as possible. To this end, 137 the greater number of names stand, not for individuals only, but classes. Thus the terms red, sweet, hot, loud, are names, not of one sensation only, but of classes of sensations; that is, every sensation of a particular kind. Thus also the term, rose, is not the name of one single cluster, but of every cluster coming under a certain description. As rose denotes one class, stone denotes another, iron another, ox another, and so on.42

42 Economy in the use of names is a very small part of the motive leading to the creation of names of classes. If we had a name for every individual object which exists in the universe, and could remember all those names, we should still require names for what those objects or some of them have in common; in other words, we should require classification, and class names. This will be obvious if it is considered that had we no names but names of individuals, we should not have the means of making any affirmation respecting any object; we could not predicate of it any qualities. But of this more largely in a future note.—Ed.

As we need marks for SENSATIONS, we need marks also for IDEAS.

The Ideas which we have occasion to name, are first, Simple Ideas, the copies of simple sensations; secondly, Complex Ideas, the copies of several sensations, combined. Of those complex ideas, also, there is one species, those copied directly from sensations, in the formation of which the mind has exercised but little control; as the ideas of rose, horse, stone, and of what are called the objects of sense in general. There is another species of complex ideas which, though derived also from the senses, are put together in a great degree at our discretion, as the ideas of a 138 centaur, a mountain of gold, of comfort, of meanness; all that class of ideas in short which Mr. Locke has called mixed modes.

We may thus distinguish three classes of ideas, which we have occasion to name: 1, simple ideas, the copies of single sensations: 2, complex ideas, copied directly from sensations: 3, complex ideas, derived indeed from the senses, but put together in arbitrary combinations. The two former classes may be called Sensible, the last Mental Ideas.

With respect to ideas, of the first two classes, those which are the direct copies of our sensations, either singly, or in groups; it is of great importance to observe, and also to remember, that, for the most part, the words, which are employed as marks of the Sensations, are made to serve the further purpose of being marks also of the Ideas. The same word is at once the name of the sensations, and the ideas.

If any person were asked, whether the word BEING is the name of a Sensation, or of an Idea; he would immediately reply, that it is the name of an Idea. In like manner, if he were asked, whether the word ANIMAL is the mark of a cluster of Sensations, or of a cluster of Ideas; he would with equal readiness say, of a cluster of Ideas. But if we were to ask, whether the name Sheep is the name of a cluster of Sensations, or of a cluster of Ideas; he would probably say, that Sheep is the name of Sensations; in the same manner as rose, or apple. Yet, what is the difference? Only this, that ANIMAL is the more general name, and includes sheep along with other species; and that BEING is still more general, and includes animal along with vegetable, mineral, and other 139 genera. If sheep, therefore, or stone, be a name of sensations, so is animal or being; and if animal, or being, be a name of ideas, so is sheep or stone a name of ideas. The fact is, they are all names of both. They are names of the Sensations, primarily; but are afterwards employed as names also of the Ideas or copies of those sensations.

It thus appears, that the names generally of what are called the objects of sense are equivocal; and whereas it would have been a security against confusion to have been provided with appropriate names, one, in each instance, for the Sensation, and one for the Idea, the same name has been made to serve as the mark for both. The term horse is not only made to stand for the sensations of sight, of hearing, of touch, and even of smell, which give me occasion for the use of the term horse; but it stands also for the ideas of those sensations, as often as I have occasion to speak of that cluster of ideas which compose my notion of a horse. The term tree denotes undoubtedly the Idea in my mind, when I mean to convey the idea tree into the mind of another man; but it also stands for the sensations whence I have derived my idea of a tree.

Thus, too, if I mean to name my simple ideas; those, for example, of sight; I have no other names than red, blue, violet, &c.; but all these are names of the sensations. When forced to distinguish them, I must use the awkward expressions, my sensation of red, my idea of red. Again; sound of a trumpet, is the name, as well of the sensation, as the idea; flight of a bird, the name, as well of the sensation, as the idea; light the name as well of the sensation as the idea; pain 140 the name as well of the sensation as the idea; heat the name as well of the sensation as the idea.43

43 In strict propriety of language all these are names only of sensations, or clusters of sensations; not of ideas. A person studious of precision would not, I think, say heat, meaning the idea of heat, or a tree, when he meant the idea of a tree. He would use heat as the name only of the sensation of heat, and tree as the name of the outward object, or cluster of sensations; and if he had occasion to speak of the idea, he would say, my idea (or the idea) of heat; my idea (or the idea) of a tree.—Ed.

As we have remarked, in regard to SENSATIONS, singly, or in clusters, that they are too numerous to receive names but in classes, that is names common to every individual of a class, the same is obviously true of the IDEAS. The greater number of names of Sensible Ideas are names of classes: man is the name of a class; lion, horse, eagle, serpent, and so on, are names of classes.

Ideas, of the third class, those which the mind forms arbitrarily, are innumerable; because the combinations capable of being formed of the numerous elements which compose them, exceed computation. All these combinations cannot receive names. The memory can manage but a moderate number. Of possible combinations, therefore, a small proportion must be selected for naming. These, of course, are the combinations which are suggested by the occasions of life, and conduce to the ends which we pursue.

We arrange those ideas, also, in classes; to the end that every name may serve the purpose of marking, as extensively as possible. Thus the term fear is 141 applicable to a state of mind, of which the instances form a class. In like manner, courage is the name of a class; temperance, ignorance, piety, and so on, names of classes. Republic, aristocracy, monarchy, are names, each of them, not of an individual government, a government at one time and place, but of a class, a sort of government, at any time and place.

The names of the ideas which are thus mentally clustered, are exempt from that ambiguity which we saw belonged to the names of both classes of sensible ideas. The names of sensible ideas generally stand for the sensations as well as the ideas. The names of the mental ideas are not transferable to sensations. But they are subject to another uncertainty, still more fertile in confusion, and embarrassment.

As the combinations are formed arbitrarily, or in other words, as the ideas of which they are composed, are more or less numerous, according to pleasure, and each man of necessity forms his own combination, it very often happens, that one man includes something more or something less than another man in the combination to which they both give the same name. Using the same words, they have not exactly the same ideas. In the term piety, for example, a good catholic includes many things which are not included in it by a good protestant. In the term good manners, an Englishman of the present day does not include the same ideas which were included in it by an Englishman two centuries ago; still less those which are included in it by foreigners of habits and usages dissimilar to our own. Prudence, in the mind of a man of rank and fortune, has a very different meaning from what it bears in the minds of the 142 frugal and industrious poor. Under this uncertainty in language, it not only happens that men are often using the same expressions when they have different ideas; but different, when they have the same ideas.44

44 There is some need for additional elucidation of the class of complex ideas distinguished (under the name of Mixed Modes) by Locke, and recognised by the author of the Analysis, as “put together in a great degree at our discretion;” as “those which the mind forms arbitrarily,” so that “the ideas of which they are composed are more or less numerous according to pleasure, and each man of necessity forms his own combination.” From these and similar phrases, interpreted literally, it might be supposed that in the instances given, a centaur, a mountain of gold, comfort, meanness, fear, courage, temperance, ignorance, republic, aristocracy, monarchy, piety, good manners, prudence—the elements which constitute these several complex ideas are put together premeditatedly, by an act of will, which each individual performs for himself, and of which he is conscious. This, however, happens only in cases of invention, or of what is called creative imagination. A centaur and a mountain of gold are inventions: combinations intentionally made, at least on the part of the first inventor; and are not copies or likenesses of any combination of impressions received by the senses, nor are supposed to have any such outward phenomena corresponding to them. But the other ideas mentioned in the text, those of courage, temperance, aristocracy, monarchy, &c., are supposed to have real originals outside our thoughts. These ideas, just as much as those of a horse and a tree, are products of generalization and abstraction: they are believed to be ideas of certain points or features in which a number of the clusters of sensations which we call real objects agree: and instead of being formed by intentionally putting together simple ideas, they are formed by stripping off, or rather, by not attending to, such of the simple sensations or ideas entering into the 143 clusters as are peculiar to any of them, and establishing an extremely close association among those which are common to them all. These complex ideas, therefore, are not, in reality, like the creations of mere imagination, put together at discretion, any more than the complex ideas, compounded of the obvious sensible qualities of objects, which we call our ideas of the objects. They are formed in the same manner as these, only not so rapidly or so easily, since the particulars of which they are composed do not obtrude themselves upon the senses, but suppose a perception of qualities and sequences not immediately obvious. From this circumstance results the consequence noticed by the author, that this class of complex ideas are often of different composition in different persons. For, in the first place, different persons abstract their ideas of this sort from different individual instances; and secondly, some persons abstract much better than others; that is, take more accurate notice of the obscurer features of instances, and discern more correctly what are those in which all the instances agree. This important subject will be more fully entered into when we reach that part of the present work which treats of the ideas connected with General Terms.—Ed.

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