Modern Painting
George Moore
By
GEORGE MOORE
TO SIR WILLIAM EDEN, BART.
OF ALL MY BOOKS, THIS IS THE ONE YOU LIKE BEST; ITS SUBJECT HAS BEEN THE SUBJECT OF NEARLY ALL OUR CONVERSATIONS IN THE PAST, AND I SUPPOSE WILL BE THE SUBJECT OF MANY CONVERSATIONS IN THE FUTURE; SO, LOOKING BACK AND FORWARD, I DEDICATE THIS BOOK TO YOU.
G. M.
The Editor of "The Speaker" allowed me to publish from time to time chapters of a book on art. These chapters have been gathered from the mass of art journalism which had grown about them, and I reprint them in the sequence originally intended.
G. M.
- WHISTLER.
- CHAVANNES, MILLET, AND MANET.
- THE FAILURE OF THE NINETEENTH CENTURY.
- ARTISTIC EDUCATION IN FRANCE AND ENGLAND.
- INGRES AND COROT.
- MONET, SISLEY, PISSARO, AND THE DECADENCE.
- OUR ACADEMICIANS.
- THE ORGANISATION OF ART.
- ART AND SCIENCE.
- ROYALTY IN ART.
- ART PATRONS.
- PICTURE DEALERS.
- MR. BURNE-JONES AND THE ACADEMY.
- THE ALDERMAN IN ART.
- RELIGIOSITY IN ART.
- THE CAMERA IN ART.
- THE NEW ENGLISH ART CLUB.
- A GREAT ARTIST.
- NATIONALITY IN ART.
- SEX IN ART.
- MR. STEER'S EXHIBITION.
- CLAUDE MONET.
- NOTES.
- SOME JAPANESE PRINTS.
- THE NEW ART CRITICISM.
- LONG AGO IN ITALY.
- THE FULL PROJECT GUTENBERG LICENSE
