V

As he got up to go to work he caught sight of Biddy M'Hale coming up the road; he rushed past her lest she should ask him what he was crying about, and she stood looking after him for a moment, and went into the cabin to inquire what had happened.

"Sure she wouldn't let her husband sleep with her last night," said Mrs. M'Shane, "and you'll be telling the priest that. It will be well he should know it at once."

Biddy would have liked to have heard how the wedding party had met Pat Connex on the road, and what had happened after, but the priest was expecting her, and she did not dare to keep him waiting much longer. But she was not sorry she had been delayed, for the priest only wanted to get her money to mend the walls of the old church, and she thought that her best plan would be to keep him talking about Kate and Peter. He was going to America to-morrow or the day after, and if she could keep her money till then it would be safe.

His front door was open, he was leaning over the green paling that divided his strip of garden from the road, and he looked very cross indeed.

She began at once:—

"Sure, your reverence, there's terrible work going on in the village, and I had to stop to listen to Mrs M'Shane. Kate Kavanagh, that was, has gone to America, and she shut her door on him last night, saying he was drunk."

"What's this you're telling me?"

"If your reverence will listen to me—"

"I'm always listening to you, Biddy M'Hale. Go on with your story."

It was a long time before he fully understood what had happened, but at last all the facts seemed clear, and he said:—

"I'm expecting Pat Connex."

Then his thoughts turned to the poor husband weeping in the backyard, and he said:—

"I made up this marriage so that she might not go away with Pat Connex."

"Well, we've been saved that," said Biddy.

"Ned Kavanagh's marriage was bad enough, but this is worse. It is no marriage at all."

"Ah, your reverence, you musn't be taking it to heart. If the marriage did not turn out right it was the drink."

"Ah, the drink—the drink," said the priest, and he declared that the brewer and the distiller were the ruin of Ireland.

"That's true for you; at the same time we musn't forget that they have put up many a fine church."

"It would be impossible, I suppose, to prohibit the brewing of ale and the distillation of spirit." The priest's brother was a publican and had promised a large subscription. "And now, Biddy, what are you going to give me to make the walls secure. I don't want you all to be killed while I am away."

"There's no fear of that, your reverence; a church never fell down on anyone."

"Even so, if it falls down when nobody's in it where are the people to hear Mass?"

"Ah, won't they be going down to hear Mass at Father Stafford's?"

"If you don't wish to give anything say so."

"Your reverence, amn't I—?"

"We don't want to hear about that window."

Biddy began to fear she would have to give him a few pounds to quiet him. But, fortunately, Pat Connex came up the road, and she thought she might escape after all.

"I hear, Pat Connex, you were dancing with Kate Kavanagh, I should say Kate M'Shane, and she went away to America this morning. Have you heard that?"

"I have, your reverence. She passed me on the road this morning."

"And you weren't thinking you might stop her?"

"Stop her," said Pat. "Who could stop Kate from doing anything she wanted to do?"

"And now your mother writes to me, Pat Connex, to ask if I will get Lennon's daughter for you."

"I see your reverence has private business with Pat Connex. I'll be going," said Biddy, and she was many yards down the road before he could say a word.

"Now, Biddy M'Hale, don't you be going." But Biddy pretended not to hear him.

"Will I be running after her," said Pat, "and bringing her back?"

"No, let her go. If she doesn't want to help to make the walls safe I'm not going to go on my knees to her. ... You'll all have to walk to Father Stafford's to hear Mass. Have you heard your mother say what she's going to give towards the new church, Pat Connex?"

"I think she said, your reverence, she was going to send you ten pounds."

"That's very good of her," and this proof that a public and religious spirit was not yet dead in his parish softened the priest's temper, and, thinking to please him and perhaps escape a scolding, Pat began to calculate how much Biddy had saved.

"She must be worth, I'm thinking, close on one hundred pounds to-day." As the priest did not answer, he said, "I wouldn't be surprised if she was worth another fifty."

"Hardly as much as that," said the priest.

"Hadn't her aunt the house we're living in before mother came to Kilmore, and they used to have the house full of lodgers all the summer. It's true that her aunt didn't pay her any wages, but when she died she left her a hundred pounds, and she has been making money ever since."

This allusion to Biddy's poultry reminded the priest that he had once asked Biddy what had put the idea of a poultry farm into her head, and she had told him that when she was taking up the lodgers' meals at her aunt's she used to have to stop and lean against the banisters, so heavy were the trays.

"One day I slipped and hurt myself, and I was lying on my back for more than two years, and all the time I could see the fowls pecking in the yard, for my bed was by the window. I thought I would like to keep fowls when I was older."

The priest remembered the old woman standing before him telling him of her accident, and while listening he had watched her, undecided whether she could be called a hunchback. Her shoulders were higher than shoulders usually are, she was jerked forward from the waist, and she had the long, thin arms, and the long, thin face, and the pathetic eyes of the hunchback. Perhaps she guessed his thoughts. She said:—

"In those days we used to go blackberrying with the boys. We used to run all over the hills."

He did not think she had said anything else, but she had said the words in such a way that they suggested a great deal—they suggested that she had once been very happy, and that she had suffered very soon the loss of all her woman's hopes. A few weeks, a few months, between her convalescence and her disappointment had been all her woman's life. The thought that life is but a little thing passed across the priest's mind, and then he looked at Pat Connex and wondered what was to be done with him. His conduct at the wedding would have to be inquired into, and the marriage that was being arranged would have to be broken off if Kate's flight could be attributed to him.

"Now, Pat Connex, we will go to Mrs. M'Shane. I shall want to hear her story."

"Sure what story can she tell of me? Didn't I run out of the house away from Kate when I saw what she was thinking of? What more could I do?"

"If Mrs. M'Shane tells the same story as you do we'll go to your mother's, and afterwards I'll go to see Lennon about his daughter."

Pat's dancing with Kate and Kate's flight to America had reached Lennon's ears, and it did not seem at all likely that he would consent to give his daughter to Pat Connex, unless, indeed, Pat Connex agreed to take a much smaller dowry than his mother had asked for.

These new negotiations, his packing, a letter to the Bishop, and the payment of bills fully occupied the last two days, and the priest did not see Biddy again till he was on his way to the station. She was walking up and down her poultry-yard, telling her beads, followed by her poultry; and it was with difficulty that he resisted the impulse to ask her for a subscription, but the driver said if they stopped they would miss the train.

"Very well," said the priest, and he drove past her cabin without speaking to her.

In the bar-rooms of New York, while trying to induce a recalcitrant loafer to part with a dollar, he remembered that he had not met anyone so stubborn as Biddy. She had given very little, and yet she seemed to be curiously mixed up with the building of the church. She was the last person he saw on his way out, and, a few months later, he was struck by the fact that she was the first parishioner he saw on his return. As he was driving home from the station in the early morning whom should he see but Biddy, telling her beads, followed by her poultry. The scene was the same except that morning was substituted for evening. This was the first impression. On looking closer he noticed that she was not followed by as many Plymouth Rocks as on the last occasion.

"She seems to be going in for Buff Orpingtons," he said to himself.

"It's a fine thing to see you again, and your reverence is looking well. I hope you've been lucky in America?"

"I have brought home some money anyhow, and the church will be built, and you will tell your beads under your window one of these days."

"Your reverence is very good to me, and God is very good."

And she stood looking after him, thinking how she had brought him round to her way of thinking. She had always known that the Americans would pay for the building, but no one else but herself would be thinking of putting up a beautiful window that would do honour to God and Kilmore. And it wasn't her fault if she didn't know a good window from a bad one, as well as the best of them. And it wasn't she who was going to hand over her money to the priest or his architect to put up what window they liked. She had been inside every church within twenty miles of Kilmore, and would see that she got full value for her money.

At the end of the week she called at the priest's house to tell him the pictures she would like to see in the window, and the colours. But the priest's servant was not certain whether Biddy could see his reverence.

"He has a gentleman with him."

"Isn't it the architect he has with him? Don't you know that it is I who am putting up the window?"

"To be sure," said the priest; "show her in." And he drew forward a chair for Miss M'Hale, and introduced her to the architect. The little man laid his pencil aside, and this encouraged Biddy, and she began to tell him of the kind of window she had been thinking of. But she had not told him half the things she wished to have put into the window when he interrupted her, and said there would be plenty of time to consider what kind of window should be put in when the walls were finished and the roof was upon them.

"Perhaps it is a little premature to discuss the window, but you shall choose the subjects you would like to see represented in the window, and as for the colours, the architect and designer will advise you. But I am sorry to say, Biddy, that this gentleman says that the four thousand pounds the Americans were good enough to give me will not do much more than build the walls."

"They're waiting for me to offer them my money, but I won't say a word," Biddy said to herself; and she sat fidgetting with her shawl, coughing from time to time, until the priest lost his patience.

"Well, Biddy, we're very busy here, and I'm sure you want to get back to your fowls. When the church is finished we'll see if we want your window." The priest had hoped to frighten her, but she was not the least frightened. Her faith in her money was abundant; she knew that as long as she had her money the priest would come to her for it on one pretext or another, sooner or later. And she was as well pleased that nothing should be settled at present, for she was not quite decided whether she would like to see Christ sitting in judgment, or Christ crowning His Virgin Mother; and during the next six months she pondered on the pictures and the colours, and gradually the design grew clearer.

And every morning, as soon as she had fed her chickens, she went up to Kilmore to watch the workmen. She was there when the first spadeful of earth was thrown up, and as soon as the walls showed above the ground she began to ask the workmen how long it would take them to reach the windows, and if a workman put down his trowel and wandered from his work she would tell him it was God he was cheating; and later on, when the priest's money began to come to an end he could not pay the workmen full wages, she told them they were working for God's Own House, and that He would reward them in the next world.

"Hold your tongue," said a mason. "If you want the church built why don't you give the priest the money you're saving, and let him pay us?"

"Keep a civil tongue in your head, Pat Murphy. It isn't for myself I am keeping it back. Isn't it all going to be spent?"

The walls were now built, and amid the clatter of the slater's hammers Biddy began to tell the plasterers of the beautiful pictures that would be seen in her window; and she gabbled on, mixing up her memories of the different windows she had seen, until at last her chatter grew wearisome, and they threw bits of mortar, laughing at her for a crazy old woman, or the priest would suddenly come upon them, and they would scatter in all directions, leaving him with Biddy.

"What were they saying to you, Biddy?"

"They were saying, your reverence, that America is a great place."

"You spend a great deal of your time here, Biddy, and I suppose you are beginning to see that it takes a long time to build a church. Now you are not listening to what I am saying. You are thinking about your window; but you must have a house before you can have a window."

"I know that very well, your reverence; but, you see, God has given us the house."

"God's House consists of little more than walls and a roof."

"Indeed it does, your reverence; and amn't I saving up all my money for the window?"

"But, my good Biddy, there is hardly any plastering done yet. The laths have come in, and there isn't sufficient to fill that end of the church, and I have no more money."

"Won't you reverence be getting the rest of the money in America? And I am thinking a bazaar would be a good thing. Wouldn't we all be making scapulars, and your reverence might get medals that the Pope had blessed."

Eventually he drove her out of the church with his umbrella. But as his anger cooled he began to think that perhaps Biddy was right—a bazaar might be a good thing, and a distribution of medals and scapulars might induce his workmen to do some overtime. He went to Dublin to talk over this matter with some pious Catholics, and an old lady wrote a cheque for fifty pounds, two or three others subscribed smaller sums, and the plasterers were busy all next week. But these subscriptions did not go nearly as far towards completing the work as he had expected. The architect had led him astray, and he looked around the vast barn that he had built and despaired. It seemed to him it would never be finished in his lifetime. A few weeks after he was again running short of money, and he was speaking to his workmen one Saturday afternoon, telling them how they could obtain a plenary indulgence by subscribing so much towards the building of the church, and by going to Confession and Communion on the first Sunday of the month, and if they could not afford the money they could give their work. He was telling them how much could be done if every workman were to do each day an hour of overtime, when Biddy suddenly appeared, and, standing in front of the men, she raised up her hands and said they should not pass her until they had pledged themselves to come to work on Monday.

"But haven't we got our wives and little ones, and haven't we to think of them?" said a workman.

"Ah, one can live on very little when one is doing the work of God," said Biddy.

The man called her a vain old woman, who was starving herself so that she might put up a window, and they pushed her aside and went away, saying they had to think of their wives and children.

The priest turned upon her angrily and asked her what she meant by interfering between him and his workmen.

"Now, don't be angry with me, your reverence. I will say a prayer, and you will say a word or two in your sermon to-morrow."

And he spoke in his sermon of the disgrace it would be to Kilmore if the church remained unfinished. The news would go over to America, and what priest would be ever able to get money there again to build a church?

"Do you think a priest likes to go about the barrooms asking for dollars and half-dollars? Would you make his task more unpleasant? If I have to go to America again, what answer shall I make if they say to me: 'Well, didn't your workmen leave you at Kilmore? They don't want churches at Kilmore. Why should we give you money for a church?'"

There was a great deal of talking that night in Michael Dunne's, and they were all of one mind, that it would be a disgrace to Kilmore if the church were not finished; but no one could see that he could work for less wages than he was in the habit of getting. As the evening wore on the question of indulgences was raised, and Ned Kavanagh said:—

"The devil a bit of use going against the priest, and the indulgences will do us no harm."

"The devil a bit, but maybe a great deal of good," said Peter M'Shane, and an hour later they were staggering down the road swearing they would stand by the priest till the death.

But on Monday morning nearly all were in their beds; only half a dozen came to the work, and the priest sent them away, except one plasterer. There was one plasterer who, he thought, could stand on the scaffold. "If I were to fall I'd go straight to Heaven," the plasterer said, and he stood so near the edge, and his knees seemed so weak under him, that Biddy thought he was going to fall.

"It would be better for you to finish what you are doing; the Holy Virgin will be more thankful to you."

"Aye, maybe she would," he said, and he continued his work mechanically.

He was working at the clustered columns about the window Biddy had chosen for her stained glass, and she did not take her eyes off him. The priest returned a little before twelve o'clock, as the plasterer was going to his dinner, and he asked him if he were feeling better.

"I'm all right, your reverence, and it won't occur again."

"I hope he won't go down to Michael Dunne's during his dinner hour," he said to Biddy. "If you see any further sign of drink upon him when he comes back you must tell me."

"He is safe enough, your reverence. Wasn't he telling me while your reverence was having your breakfast that if he fell down he would go straight to Heaven, and he opened his shirt and showed me he was wearing the scapular of the Holy Virgin."

And Biddy began to advocate a sale of scapulars.

"A sale of scapulars will not finish my church. You're all a miserly lot here, you want everything done for you."

"Weren't you telling me, your reverence, that a pious lady in Dublin—"

"The work is at a stand-still. If I were to go to America to-morrow it would be no use unless I could tell them it was progressing."

"Sure they don't ask any questions in America, they just give their money."

"If they do, that's more than you're doing at home. I want to know, Biddy, what you are going to do for this church. You're always talking about it; you're always here and you have given less than any one else."

"Didn't I offer your reverence a sovereign once since I gave you the five pounds?"

"You don't seem to understand, Biddy, that you can't put up your window until the plastering is finished."

"I think I understand that well enough, but the church will be finished."

"How will it be finished? When will it be finished?"

She did not answer, and nothing was heard in the still church but her irritating little cough.

"You're very obstinate. Well, tell me where you would like to have your window."

"It is there I shall be kneeling, and if you will let me put my window there I shall see it when I look up from my beads. I should like to see the Virgin and I should like to see St. John with her. And don't you think, your reverence, we might have St. Joseph as well. Our Lord would have to be in the Virgin's arms, and I think, your reverence, I would like Our Lord coming down to judge us, and I should like to have Him on His throne on the day of Judgment up at the top of the window."

"I can see you've been thinking a good deal about this window," the priest said.

She began again and the priest heard the names of the different saints she would like to see in stained glass, and he let her prattle on. But his temper boiled up suddenly and he said:—

"You'd go on like this till midnight if I let you. Now, Biddy M'Hale, you've been here all the morning delaying my workmen. Go home to your fowls."

And she ran away shrinking like a dog, and the priest walked up and down the unfinished church. "She tries my temper more than anyone I ever met," he said to himself. At that moment he heard some loose boards clanking, and thinking it was the old woman coming back he looked round, his eyes flaming. But the intruder was a short and square-set man, of the type that one sees in Germany, and he introduced himself as an agent of a firm of stained glass manufacturers. He told Father Maguire they had heard in Germany of the beautiful church he was building. "I met an old woman on the road, and she told me that I would find you in the church considering the best place for the window she was going to put up. She looks very poor."

"She's not as poor as she looks; she's been saving money all her life for this window. Her window is her one idea, and, like people of one idea, she's apt to become a little tiresome."

"I don't quite understand."

He began telling the story, and seeing that the German was interested in the old woman he began to acquire an interest in her himself, an unpremeditated interest; he had not suspected that Biddy was so interesting. The German said she reminded him of the quaint sculpture of Nuremburg, and her character reminded him of one of the German saints, and talking of Biddy and medievalism and Gothic art and stained glass the priest and the agent for the manufacture of stained glass in Munich walked up and down the unfinished church until the return of the plasterer reminded the priest of his embarrassments, and he took the German into his confidence.

"These embarrassments always occur," said the agent, "but there is no such thing as an unfinished church in Ireland; if you were to let her put up the window subscriptions would pour in."

"How's that?"

"A paragraph in the newspaper describing the window, the gift of a local saint. I think you told me her name was M'Hale, and that she lives in the village."

"Yes, you pass her house on the way to the station."

The German took his leave abruptly, and when he was half-way down the hill he asked some children to direct him.

"Is it Biddy M'Hale, that has all the hins, and is going to put up a window in the church, that you're wanting?"

The German said that that was the woman he wanted, and the eldest child said:—

"You will see her feeding her chickens, and you must call to her over the hedge."

And he did as he was bidden.

"Madam ... the priest has sent me to show you some designs for a stained glass window."

No one had ever addressed Biddy as Madam before. She hastened to let him into the house, and wiped the table clean so that he could spread the designs upon it. The first designs he showed here were the four Evangelists, but he would like a woman's present to her church to be in a somewhat lighter style, and he showed her a picture of St. Cecilia that fascinated her for a time; and then he suggested that a group of figures would look handsomer than a single figure. But she could not put aside the idea of the window that had grown up in her mind, and after some attempts to persuade her to accept a design they had in stock he had to give way and listen.

At the top of the picture, where the window narrowed to a point, Our Lord sat dressed in white on a throne, placing a golden crown on the head of the Virgin kneeling before him. About him were the women who had loved him, and the old woman said she was sorry she was not a nun, and hoped that Christ would not think less of her. As far as mortal sin was concerned she could say she had never committed one. At the bottom of the window there were suffering souls. The cauldrons that Biddy wished to see them in, the agent said, would be difficult to introduce—the suffering of the souls could be artistically indicated by flames.

"I shall have great joy," she said, "seeing the blessed women standing about our Divine Lord, singing hymns in His praise, and the sight of sinners broiling will make me be sorrowful."

She insisted on telling the German of the different churches she had visited, and the windows she had seen, and she did not notice that he was turning over his designs and referring to his note book while she was talking. Suddenly he said:—

"Excuse me, but I think we have got the greater part of the window you wish for in stock, and the rest can be easily made up. Now the only question that remains is the question of the colours you care about."

"I have always thought there's no colour like blue. I'd like the Virgin to wear a blue cloak."

She did not know why she had chosen that colour, but the agent told her that she was quite right; blue signified chastity; and when the German had gone she sat thinking of the Virgin and her cloak. The Minorcas, and Buff Orpingtons, and Plymouth Rocks came through the door cackling, and while feeding them she sat, her eyes fixed on the beautiful evening sky, wondering if the blue in the picture would be as pale, or if it would be a deeper blue.

She remembered suddenly that she used to wear a blue ribbon when she went blackberrying among the hills; she found it in an old box and tied it round her neck. The moment she put it on her memory was as if lighted up with the memories of the saints and the miracles they had performed, and she went to Father Maguire to tell him of the miracle. That the agent should have in stock the very window she had imagined seemed a miracle, and she was encouraged to think some miraculous thing had happened when the priest asked her to tell him exactly what her window was like. She had often told him before but he had never listened to her. But now he recognised her window as an adaptation of Fra Angelico's picture, and he told her how the saint had wandered from monastery to monastery painting pictures on the walls. More he could not tell her, but he promised to procure a small biography of the saint. She received the book a few days after, and as she turned over the leaves she heard the children coming home from school, and she took the book out to them, for her sight was failing, and they read bits of it aloud, and she frightened them by dropping on her knees and crying out that God had been very good to her.

She wandered over the country visiting churches, returning to Kilmore suddenly. She was seen as usual at sunrise and at sunset feeding her poultry, and then she went away again, and the next time she was heard of was in a church near Dublin celebrated for its stained glass. A few days after Ned Kavanagh met her hurrying up the road from the station, and she told him she had just received a letter from the Munich agent saying he had forwarded her window. It was to arrive to-morrow.

It was expected some time about mid-day, but Biddy's patience was exhausted long before, and she walked a great part of the way to Dublin to meet the dray. She returned with it, walking with the draymen, but within three miles of Kilmore she was so tired that they had to put her on the top of the boxes, and a cheer went up from the villagers when she was lifted down. She called to the workmen to be careful in unpacking the glass; and when they were putting it up she went down on her knees and prayed that no accident might happen.

At sunset the church had to be closed, and it was with difficulty that she was persuaded to leave it. Next morning at sunrise she was knocking at the door of the woman who was charged with the cleaning of the church, asking for the key.

And from that day she was hardly ever out of the church; the charwoman began to complain that she could not get on with her work, and she was telling the priest that Biddy was always at her elbow, asking her to come to her window, saying she would show her things she had not seen before, when their conversation was interrupted by Biddy. She seemed a little astray, a little exalted, and Father Maguire watched her as she knelt with uplifted face, telling her beads. He noticed that her fingers very soon ceased to move; and that she held the same bead a long time between her fingers. Minutes passed, but her lips did not move; her eyes were fixed on the panes and her look was so enraptured that he began to wonder if Paradise were being revealed to her.

And while the priest wondered, Biddy listened to music inconceivably tender. She had been awakened from her prayers by the sound of a harp string touched very gently; and the note had floated down like a flower, and all the vibrations were not dead when the same note floated down the aisles once more. Biddy listened, anxious to hear it a third time. Once more she heard it, and the third time she saw the saint's fingers moving over the strings; and she played a little tune of six notes. And it was at the end of the second playing of the tune that the priest touched Biddy on the shoulder. She looked up and it was a long while before she saw him, and she was greatly grieved that she had been awakened from her dream. She said it was a dream because her happiness had been so great; and she stood looking at the priest, fain, but unable, to tell how she had been borne beyond her usual life, that her whole being had answered to the music the saint played, and looking at him, she wondered what would have happened if he had not awakened her.

Next day was Sunday, and she was in the church at sunrise listening for the music. But she heard and saw nothing until the priest had reached the middle of the Mass. The acolyte had rung the bell to prepare the people for the Elevation, and it was then that she heard a faint low sound that the light wire emitted when the saint touched her harp, and she noticed that it was the same saint that had played yesterday, the tall saint with the long fair hair who stood apart from the others, looking more intently at Our Blessed Lord than the others. She touched her harp again and the note vibrated for a long while, and when the last vibrations died she touched the string again. The note was sweet and languid and intense, and it pierced to the very core of Biddy. The saint's hand passed over the strings, producing faint exquisite sounds, so faint that Biddy felt no surprise they were not heard by anyone else; it was only by listening intently that she could hear them. Yesterday's little tune appeared again, a little tune of six notes, and it seemed to Biddy even more exquisite than it had seemed when she first heard it. The only difference between to-day and yesterday was, that to-day all the saints struck their harps, and after playing for some time the music grew white like snow and remote as star-fire, and yet Biddy heard it more clearly than she had heard anything before, and she saw Our Lord more clearly than she had ever seen anybody else. She saw Him look up when He had placed the crown on His Mother's head; she heard Him sing a few notes, and then the saints began to sing. The window filled up with song and colour, and all along the window there was a continual transmutation of colour and song. The figures grew taller, and they breathed extraordinary life. It sang like a song within them, and it flowed about them and out of them in a sort of pearl-coloured mist. The vision clove the church along and across, and through it she could see the priest saying his Mass, and when he raised the Host above his head, Biddy saw Our Lord look at her, and His eyes brightened as if with love of her. He seemed to have forgotten the saints that sang His praises so beautifully, and when He bent towards her and she felt His presence about her, she cried out:—

"He is coming to take me in His arms!"

And it was then that Biddy fell out of her place and lay at length on the floor of the church, pale as a dead woman. The clerk went to her, but he could not carry her out; she lay rigid as one who had been dead a long while and she muttered, "He is coming to put the gold crown on my head." The clerk moved away, and she swooned again.

Her return to her ordinary perceptions was slow and painful. The people had left long ago, and she tottered out of the empty church and followed the road to her cabin without seeing it or the people whom she met on the road. At last a woman took her by the arm and led her into her cabin, and spoke to her. She could not answer at first, but she awoke gradually, and she began to remember that she had heard music in the window and that Our Lord had sung to her. The neighbour left her babbling. She began to feed her chickens, and was glad when she had fed them. She wanted to think of the great and wonderful sights she had seen. She could not particularise, preferring to remember her vision as a whole, unwilling to separate the music from the colour, or the colour and the music from the adoration of the saints.

As the days went by her life seemed to pass more and more out of the life of the ordinary day. She seemed to live, as it were, on the last verge of human life; the mortal and the immortal mingled; she felt she had been always conscious of the immortal, and that nothing had happened except the withdrawing of a veil. The memory of her vision was still intense in her, but she wished to renew it; and waited next Sunday breathless with anticipation. The vision began at the same moment, the signal was the same as before; the note from the harp string floated down the aisles and when it had been repeated three times the saintly fingers moved over the strings, and she heard the beautiful little tune.

Every eye was upon her, and forgetful of the fact that the priest was celebrating Mass, they said, "Look, she hears the saints singing about her. She sees Christ coming." The priest heard Biddy cry out "Christ is coming," and she fell prone and none dared to raise her up, and she lay there till the Mass was finished. When the priest left the altar she was still lying at length, and the people were about her; and knowing how much she would feel the slightest reproof, he did not say a word that would throw doubt on her statement. He did not like to impugn a popular belief, but he felt obliged to exercise clerical control.

"Now, Biddy, I know you are a very pious woman, but I cannot allow you to interrupt the Mass."

"If the Lord comes to me am I not to receive Him, your reverence?"

"In the first place I object to your dress; you are not properly dressed."

She wore a bright blue cloak, she seemed to wear hardly anything else, and tresses of dirty hair hung over her shoulders.

"The Lord has not said anything to me about my dress, your reverence, and He put His gold crown on my head to-day."

"Biddy, is all this true?"

"As true as you're standing there."

"I am not asking you if your visions are true. I have my opinion about that. I am asking if they are true to you."

"True to me, your reverence? I don't rightly understand."

"I want to know if you think Our Lord put a gold crown on your head to-day."

"To be sure He did, your reverence."

"If He did, where is it?"

"Where is it, your reverence? It is with Him, to be sure. He wouldn't be leaving it on my head and me walking about the parish—that would not be reasonable at all, I am thinking. He doesn't want me to be robbed."

"There is no one in the parish who would rob you."

"Maybe some one would come out of another parish, if I was walking about with a gold crown on my head. And such a crown as He put upon it!—I am sorry you did not see it, but your reverence was saying the holy Mass at the time."

And she fell on her knees and clung to his cassock.

"And you saw the crown, Biddy?"

"I had it on my head, your reverence."

"And you heard the saints singing?"

"Yes, and I will tell you what they were singing," and she began crooning. "Something like that, your reverence. You don't believe me, but we have only our ears and our eyes to guide us."

"I don't say I don't believe you, Biddy, but you may be deceived."

"Sorra deceiving, your reverence, or I've been deceived all my life. And now, your reverence, if you have no more business with me I will go, for they are waiting in the chapel yard to hear me tell them about the crown that was put upon my head."

"Well, Biddy, I want you to understand that I cannot have you interrupting the Mass. I cannot permit it. The visions may be true, or not true, but you must not interrupt the Mass. Do you hear me?"

The acolyte had opened the door of the sacristy, she slipped through it, and the priest took off his cassock. As he did so, he noticed that the acolytes were anxious to get out; they were at the window watching, and when the priest looked out of the window he saw the people gathered about Biddy, and could see she had obtained an extraordinary hold on the popular imagination; no one noticed him when he came out of the sacristy; they were listening to Biddy, and he stood unnoticed amid the crowd for a few minutes.

"She's out of her mind," he said. "She's as good as mad. What did she tell me—that Our Lord put a crown on her head."

It was difficult to know what to do. News of her piety had reached Dublin. People had been down to Kilmore to see her and had given subscriptions, and he understood that Biddy had enabled him to furnish his church with varnished pews and holy pictures. A pious Catholic lady had sent him two fine statues of Our Lady and St. Joseph. St. Joseph was in a purple cloak and Our Lady wore a blue cloak, and there were gold stars upon it. He had placed these two statues on the two side altars. But there were many things he wanted for his church, and he could only get them through Biddy. It was, therefore, his interest to let her remain in Kilmore, only she could not be allowed to interrupt the Mass, and he felt that he must be allowed to pass in and out of his church without having to put up with extravagant salutations.

He was going home to his breakfast and a young man extremely interested in ecclesiastical art was coming to breakfast with him. The young man had a great deal to say about Walter Pater and Chartres Cathedral, and Father Maguire feared he was cutting but a very poor figure in the eyes of this young man, for he could not keep his thoughts on what the young man was saying, he was thinking of Biddy; he hardly thought of anything else but her now; she was absorbing the mind of his entire parish, she interrupted the Mass, he could not go into his church without being accosted by this absurd old woman, and this young man, a highly cultivated young man, who had just come from Italy, and who took the highest interest in architecture, would not be able to see his church in peace. As soon as they entered it they would be accosted by this old woman; she would follow them about asking them to look at her window, telling them her visions, which might or might not be true. She had a knack of hiding herself—he often came upon her suddenly behind the pillars, and sometimes he found her in the confessional. As soon as he crossed the threshold he began to look for her, and not finding her in any likely place, his fears subsided, and he called the young man's attention to the altar that had been specially designed for his church. And the young man had begun to tell the priest of the altars he had seen that Spring in Italy, when suddenly he uttered a cry, he had suddenly felt a hand upon his shoulder.

"Your honour will be well rewarded if you will come to my window. Now why should I tell you a lie, your reverence?"

She threw herself at the priest's feet and besought him to believe that the saints had been with her, and that every word she was speaking was the truth.

"Biddy, if you don't go away at once I will not allow you inside the church to-morrow."

The young man looked at the priest, surprised at his sternness, and the priest said:—

"She has become a great trial to us at Kilmore. Come aside and I will tell you about her."

And when the priest had told the young man about the window the young man asked if Biddy would have to be sent away.

"I hope not, for if she were separated from her window she would certainly die. It came out of her savings, out of the money she made out of chickens."

"And what has become of the chickens?"

"She has forgotten all about them; they wandered away or died. She has been evicted, and she lives now in an out-house. She lives on the bits of bread and the potatoes the neighbours give her. The things of this world are no longer realities to her. Her realities are what she sees and hears in that window. She told me last night the saints were singing about her. I don't like to encourage her to talk, but if you would like to hear her—Biddy, come here!"

The old woman came back as a dog comes to its master, joyful, and with brightening eyes.

"Tell us what you saw last night."

"Well, your reverence, I was asleep, and there suddenly came a knocking at the door, and I got up, and then I head a voice say, 'Open the door.' There was a beautiful young man outside, his hair was yellow and curly, and he was dressed in white. He came into the room first, and he was followed by other saints, and they had harps in their hands, and they sang for a long while; they sang beautiful music. Come to the window and you will hear it for yourselves. Someone is always singing it in the window, not always as clearly as they did last night."

"We'll go to see your window presently."

The old woman crept back to her place, and the priest and the young man began to talk about the possibilities of miracles in modern times, and they talked on until the sudden sight of Biddy gave them pause.

"Look at her," said the young man, "can you doubt that she sees Heaven, quite plainly, and that the saints visited her just as she told us?"

"No doubt, no doubt. But she's a great trial to us at Mass .... The Mass must not be interrupted."

"I suppose even miracles are inconvenient at times, Father Maguire. Be patient with her, let her enjoy her happiness."

And the two men stood looking at her, trying vainly to imagine what her happiness might be.