PARADISE AND THE PERI.

One morn a Peri at the gate

Of Eden stood disconsolate;

And as she listened to the Springs

  Of Life within like music flowing

And caught the light upon her wings

  Thro' the half-open portal glowing,

She wept to think her recreant race

Should e'er have lost that glorious place!

"How happy," exclaimed this child of air,

"Are the holy Spirits who wander there

  "Mid flowers that never shall fade or fall;

"Tho' mine are the gardens of earth and sea

"And the stars themselves have flowers for me,

  "One blossom of Heaven out-blooms them all!

"Tho' sunny the Lake of cool CASHMERE

"With its plane-tree Isle reflected clear,[144]

  "And sweetly the founts of that Valley fall;

"Tho' bright are the waters of SING-SU-HAY

And the golden floods that thitherward stray,[145]

Yet—oh, 'tis only the Blest can say

  How the waters of Heaven outshine them all!

"Go, wing thy flight from star to star,

From world to luminous world as far

  As the universe spreads its flaming wall:

Take all the pleasures of all the spheres

And multiply each thro' endless years

  One minute of Heaven is worth them all!"

The glorious Angel who was keeping

The gates of Light beheld her weeping,

And as he nearer drew and listened

To her sad song, a tear-drop glistened

Within his eyelids, like the spray

  From Eden's fountain when it lies

On the blue flower which—Bramins say—

  Blooms nowhere but in Paradise.[146]

"Nymph of a fair but erring line!"

Gently he said—"One hope is thine.

'Tis written in the Book of Fate,

  The Peri yet may be forgiven

Who brings to this Eternal gate

  The Gift that is most dear to Heaven!

Go seek it and redeem thy sin—

'Tis sweet to let the Pardoned in."

Rapidly as comets run

To the embraces of the Sun;—

Fleeter than the starry brands

Flung at night from angel hands[147]

At those dark and daring sprites

Who would climb the empyreal heights,

Down the blue vault the PERI flies,

  And lighted earthward by a glance

That just then broke from morning's eyes,

  Hung hovering o'er our world's expanse.

But whither shall the Spirit go

To find this gift for Heaven;—"I know

The wealth," she cries, "of every urn

In which unnumbered rubies burn

Beneath the pillars of CHILMINAR:[148]

I know where the Isles of Perfume are[149]

Many a fathom down in the sea,

To the south of sun-bright ARABY;[150]

I know too where the Genii hid

The jewelled cup of their King JAMSHID,[151]

"With Life's elixir sparkling high—

"But gifts like these are not for the sky.

"Where was there ever a gem that shone

"Like the steps of ALLA'S wonderful Throne?

"And the Drops of Life—oh! what would they be

"In the boundless Deep of Eternity?"

While thus she mused her pinions fanned

The air of that sweet Indian land

Whose air is balm, whose ocean spreads

O'er coral rocks and amber beds,[152]

Whose mountains pregnant by the beam

Of the warm sun with diamonds teem,

Whose rivulets are like rich brides,

Lovely, with gold beneath their tides,

Whose sandal groves and bowers of spice

Might be a Peri's Paradise!

But crimson now her rivers ran

  With human blood—the smell of death

Came reeking from those spicy bowers,

And man the sacrifice of man

  Mingled his taint with every breath

Upwafted from the innocent flowers.

Land of the Sun! what foot invades

Thy Pagods and thy pillared shades—

Thy cavern shrines and Idol stones,

Thy Monarch and their thousand Thrones?[153]

'Tis He of GAZNA[154], fierce in wrath

  He comes and INDIA'S diadems

Lie scattered in his ruinous path.-

  His bloodhounds he adorns with gems,

Torn from the violated necks

  Of many a young and loved Sultana;[155]

  Maidens within their pure Zenana,

  Priests in the very fane he slaughters,

And chokes up with the glittering wrecks

  Of golden shrines the sacred waters!

Downward the PERI turns her gaze,

And thro' the war-field's bloody haze

Beholds a youthful warrior stand

Alone beside his native river,—

The red blade broken in his hand

And the last arrow in his quiver.

"Live," said the Conqueror, "live to share

"The trophies and the crowns I bear!"

Silent that youthful warrior stood—

Silent he pointed to the flood

All crimson with his country's blood,

Then sent his last remaining dart,

For answer, to the Invader's heart.

False flew the shaft tho' pointed well;

The Tyrant lived, the Hero fell!—

Yet marked the PERI where he lay,

  And when the rush of war was past

Swiftly descending on a ray

  Of morning light she caught the last—

Last glorious drop his heart had shed

Before its free-born spirit fled!

"Be this," she cried, as she winged her flight,

"My welcome gift at the Gates of Light.

"Tho' foul are the drops that oft distil

  "On the field of warfare, blood like this

  "For Liberty shed so holy is,

"It would not stain the purest rill

  "That sparkles among the Bowers of Bliss!

"Oh, if there be on this earthly sphere

"A boon, an offering Heaven holds dear,

"'Tis the last libation Liberty draws

"From the heart that bleeds and breaks in her cause!"

"Sweet," said the Angel, as she gave

The gift into his radiant hand,

"Sweet is our welcome of the Brave

  "Who die thus for their native Land.—

"But see—alas! the crystal bar

"Of Eden moves not—holier far

"Than even this drop the boon must be

"That opes the Gates of Heaven for thee!"

Her first fond hope of Eden blighted,

  Now among AFRIC'S lunar Mountains[156]

Far to the South the PERI lighted

  And sleeked her plumage at the fountains

Of that Egyptian tide whose birth

Is hidden from the sons of earth

Deep in those solitary woods

Where oft the Genii of the Floods

Dance round the cradle of their Nile

And hail the new-born Giant's smile.[157]

Thence over EGYPT'S palmy groves

  Her grots, and sepulchres of Kings,[158]

The exiled Spirit sighing roves

And now hangs listening to the doves

In warm ROSETTA'S vale;[159] now loves

  To watch the moonlight on the wings

Of the white pelicans that break

The azure calm of MOERIS' Lake.[160]

'Twas a fair scene: a Land more bright

  Never did mortal eye behold!

Who could have thought that saw this night

  Those valleys and their fruits of gold

Basking in Heaven's serenest light,

Those groups of lovely date-trees bending

  Languidly their leaf-crowned heads,

Like youthful maids, when sleep descending

  Warns them to their silken beds,[161]

Those virgin lilies all the night

  Bathing their beauties in the lake

That they may rise more fresh and bright,

  When their beloved Sun's awake,

Those ruined shrines and towers that seem

The relics of a splendid dream,

  Amid whose fairy loneliness

Naught but the lapwing's cry is heard,—

Naught seen but (when the shadows flitting,

Fast from the moon unsheath its gleam,)

Some purple-winged Sultana sitting[162]

  Upon a column motionless

And glittering like an Idol bird!—

Who could have thought that there, even there,

Amid those scenes so still and fair,

The Demon of the Plague hath cast

From his hot wing a deadlier blast,

More mortal far than ever came

From the red Desert's sands of flame!

So quick that every living thing

Of human shape touched by his wing,

Like plants, where the Simoom hath past

At once falls black and withering!

The sun went down on many a brow

  Which, full of bloom and freshness then,

Is rankling in the pest-house now

  And ne'er will feel that sun again,

And, oh! to see the unburied heaps

On which the lonely moonlight sleeps—

The very vultures turn away,

And sicken at so foul a prey!

Only the fierce hyaena stalks[163]

Throughout the city's desolate walks[164]

At midnight and his carnage plies:—

  Woe to the half-dead wretch who meets

The glaring of those large blue eyes

  Amid the darkness of the streets!

"Poor race of men!" said the pitying Spirit,

  "Dearly ye pay for your primal Fall—

"Some flowerets of Eden ye still inherit,

  "But the trail of the Serpent is over them all!"

She wept—the air grew pure and clear

  Around her as the bright drops ran,

For there's a magic in each tear

  Such kindly Spirits weep for man!

Just then beneath some orange trees

Whose fruit and blossoms in the breeze

Were wantoning together, free,

Like age at play with infancy—

Beneath that fresh and springing bower

  Close by the Lake she heard the moan

Of one who at this silent hour,

  Had thither stolen to die alone.

One who in life where'er he moved,

  Drew after him the hearts of many;

Yet now, as tho' he ne'er were loved,

  Dies here unseen, unwept by any!

None to watch near him—none to slake

  The fire that in his bosom lies,

With even a sprinkle from that lake

  Which shines so cool before his eyes.

No voice well known thro' many a day

  To speak the last, the parting word

Which when all other sounds decay

  Is still like distant music heard;—

That tender farewell on the shore

Of this rude world when all is o'er,

Which cheers the spirit ere its bark

Puts off into the unknown Dark.

Deserted youth! one thought alone

  Shed joy around his soul in death

That she whom he for years had known,

And loved and might have called his own

  Was safe from this foul midnight's breath,—

Safe in her father's princely halls

Where the cool airs from fountain falls,

Freshly perfumed by many a brand

Of the sweet wood from India's land,

Were pure as she whose brow they fanned.

But see—who yonder comes by stealth,

  This melancholy bower to seek,

Like a young envoy sent by Health

  With rosy gifts upon her cheek?

'Tis she—far off, thro' moonlight dim

  He knew his own betrothed bride,

She who would rather die with him

  Than live to gain the world beside!—

Her arms are round her lover now,

  His livid cheek to hers she presses

And dips to bind his burning brow

  In the cool lake her loosened tresses.

Ah! once, how little did he think

An hour would come when he should shrink

With horror from that dear embrace,

  Those gentle arms that were to him

Holy as is the cradling place

  Of Eden's infant cherubim!

And now he yields—now turns away,

Shuddering as if the venom lay

All in those proffered lips alone—

Those lips that then so fearless grown

Never until that instant came

Near his unasked or without shame.

"Oh! let me only breathe the air.

"The blessed air, that's breathed by thee,

"And whether on its wings it bear

  "Healing or death 'tis sweet to me!

"There—drink my tears while yet they fall—

  "Would that my bosom's blood were balm,

"And, well thou knowst, I'd shed it all

  "To give thy brow one minute's calm.

"Nay, turn not from me that dear face—

  "Am I not thine—thy own loved bride—

"The one, the chosen one, whose place

  "In life or death is by thy side?

"Thinkst thou that she whose only light,

  "In this dim world from thee hath shone

"Could bear the long, the cheerless night

  "That must be hers when thou art gone?

"That I can live and let thee go,

"Who art my life itself?—No, no—

"When the stem dies the leaf that grew

"Out of its heart must perish too!

"Then turn to me, my own love, turn,

"Before, like thee, I fade and burn;

"Cling to these yet cool lips and share

"The last pure life that lingers there!"

She fails—she sinks—as dies the lamp

In charnel airs or cavern-damp,

So quickly do his baleful sighs

Quench all the sweet light of her eyes,

One struggle—and his pain is past—

  Her lover is no longer living!

One kiss the maiden gives, one last,

  Long kiss, which she expires in giving!

"Sleep," said the PERI, as softly she stole

The farewell sigh of that vanishing soul,

As true as e'er warmed a woman's breast—

"Sleep on, in visions of odor rest

"In balmier airs than ever yet stirred

"The enchanted pile of that lonely bird

"Who sings at the last his own death-lay[165]

"And in music and perfume dies away!"

Thus saying, from her lips she spread

  Unearthly breathings thro' the place

And shook her sparkling wreath and shed

  Such lustre o'er each paly face

That like two lovely saints they seemed,

  Upon the eve of doomsday taken

From their dim graves in ordor sleeping;

  While that benevolent PERI beamed

Like their good angel calmly keeping

  Watch o'er them till their souls would waken.

But morn is blushing in the sky;

  Again the PERI soars above,

Bearing to Heaven that precious sigh

  Of pure, self-sacrificing love.

High throbbed her heart with hope elate

  The Elysian palm she soon shall win.

For the bright Spirit at the gate

  Smiled as she gave that offering in;

And she already hears the trees

  Of Eden with their crystal bells

Ringing in that ambrosial breeze

  That from the throne of ALLA swells;

And she can see the starry bowls

  That lie around that lucid lake

Upon whose banks admitted Souls

  Their first sweet draught of glory take![166]

But, ah! even PERIS' hopes are vain—

Again the Fates forbade, again

The immortal barrier closed—"Not yet,"

The Angel said as with regret

He shut from her that glimpse of glory—

"True was the maiden, and her story

"Written in light o'er ALLA'S head

"By seraph eyes shall long be read.

"But, PERI, see—the crystal bar

"Of Eden moves not—holier far

"Than even this sigh the boon must be

"That opes the Gates of Heaven for thee."

  Now upon SYRIA'S land of roses[167]

Softly the light of Eve reposes,

And like a glory the broad sun

Hangs over sainted LEBANON,

Whose head in wintry grandeur towers

  And whitens with eternal sleet,

While summer in a vale of flowers

  Is sleeping rosy at his feet.

To one who looked from upper air

O'er all the enchanted regions there,

How beauteous must have been the glow,

The life, the sparkling from below!

Fair gardens, shining streams, with ranks

Of golden melons on their banks,

More golden where the sunlight falls;—

Gay lizards, glittering on the walls[168]

Of ruined shrines, busy and bright

As they were all alive with light;

And yet more splendid numerous flocks

Of pigeons settling on the rocks

With their rich restless wings that gleam

Variously in the crimson beam

Of the warm West,—as if inlaid

With brilliants from the mine or made

Of tearless rainbows such as span

The unclouded skies of PERISTAN.

And then the mingling sounds that come,

Of shepherd's ancient reed,[169] with hum

Of the wild bees of PALESTINE,[170]

  Banqueting thro' the flowery vales;

And, JORDAN, those sweet banks of thine

  And woods so full of nightingales.[171]

But naught can charm the luckless PERI;

Her soul is sad—her wings are weary—

Joyless she sees the Sun look down

On that great Temple once his own,[172]

Whose lonely columns stand sublime,

Flinging their shadows from on high

Like dials which the Wizard Time

Had raised to count his ages by!

Yet haply there may lie concealed

  Beneath those Chambers of the Sun

Some amulet of gems, annealed

In upper fires, some tablet sealed

  With the great name of SOLOMON,

  Which spelled by her illumined eyes,

May teach her where beneath the moon,

In earth or ocean, lies the boon,

The charm, that can restore so soon

  An erring Spirit to the skies.

Cheered by this hope she bends her thither;—

  Still laughs the radiant eye of Heaven,

  Nor have the golden bowers of Even

In the rich West begun to wither;—

When o'er the vale of BALBEC winging

  Slowly she sees a child at play,

Among the rosy wild flowers singing,

  As rosy and as wild as they;

Chasing with eager hands and eyes

The beautiful blue damsel-flies,[173]

That fluttered round the jasmine stems

Like winged flowers or flying gems:—

And near the boy, who tired with play

Now nestling mid the roses lay.

She saw a wearied man dismount

  From his hot steed and on the brink

Of a small imaret's rustic fount

  Impatient fling him down to drink.

Then swift his haggard brow he turned

  To the fair child who fearless sat,

Tho' never yet hath day-beam burned

  Upon a brow more fierce than that,—

Sullenly fierce—a mixture dire

Like thunder-clouds of gloom and fire;

In which the PERI'S eye could read

Dark tales of many a ruthless deed;

The ruined maid—the shrine profaned—

Oaths broken—and the threshold stained

With blood of guests!—there written, all,

Black as the damning drops that fall

From the denouncing Angel's pen,

Ere Mercy weeps them out again.

Yet tranquil now that man of crime

(As if the balmy evening time

Softened his spirit) looked and lay,

Watching the rosy infant's play:—

Tho' still whene'er his eye by chance

Fell on the boy's, its lucid glance

  Met that unclouded, joyous gaze,

As torches that have burnt all night

Tho' some impure and godless rite,

  Encounter morning's glorious rays.

But, hark! the vesper call to prayer,

  As slow the orb of daylight sets,

Is rising sweetly on the air.

  From SYRIA'S thousand minarets!

The boy has started from the bed

Of flowers where he had laid his head.

And down upon the fragrant sod

  Kneels[174] with his forehead to the south

Lisping the eternal name of God

  From Purity's own cherub mouth,

And looking while his hands and eyes

Are lifted to the glowing skies

Like a stray babe of Paradise

Just lighted on that flowery plain

And seeking for its home again.

Oh! 'twas a sight—that Heaven—that child—

A scene, which might have well beguiled

Even haughty EBLIS of a sigh

For glories lost and peace gone by!

And how felt he, the wretched Man

Reclining there—while memory ran

O'er many a year of guilt and strife,

Flew o'er the dark flood of his life,

Nor found one sunny resting-place.

Nor brought him back one branch of grace.

"There was a time," he said, in mild,

Heart-humbled tones—"thou blessed child!

"When young and haply pure as thou

"I looked and prayed like thee—but now"—

He hung his head—each nobler aim

  And hope and feeling which had slept

From boyhood's hour that instant came

  Fresh o'er him and he wept—he wept!

Blest tears of soul-felt penitence!

  In whose benign, redeeming flow

Is felt the first, the only sense

  Of guiltless joy that guilt can know.

"There's a drop," said the PERI, "that down from the moon

"Falls thro' the withering airs of June

"Upon EGYPT'S land,[175] of so healing a power,

"So balmy a virtue, that even in the hour

"That drop descends contagion dies

"And health reanimates earth and skies!—

"Oh, is it not thus, thou man of sin,

  "The precious tears of repentance fall?

"Tho' foul thy fiery plagues within

  "One heavenly drop hath dispelled them all!"

And now—behold him kneeling there

By the child's side, in humble prayer,

While the same sunbeam shines upon

The guilty and the guiltless one.

And hymns of joy proclaim thro' Heaven

The triumph of a Soul Forgiven!

'Twas when the golden orb had set,

While on their knees they lingered yet,

There fell a light more lovely far

Than ever came from sun or star,

Upon the tear that, warm and meek,

Dewed that repentant sinner's cheek.

To mortal eye this light might seem

A northern flash or meteor beam—

But well the enraptured PERI knew

'Twas a bright smile the Angel threw

From Heaven's gate to hail that tear

Her harbinger of glory near!

"Joy, joy for ever! my task is done—

"The Gates are past and Heaven is won!

"Oh! am I not happy? I am, I am—

  "To thee, sweet Eden! how dark and sad

"Are the diamond turrets of SHADUKIAM,[176]

  "And the fragrant bowers of AMBERABAD!

"Farewell ye odors of Earth that die

"Passing away like a lover's sigh;—

"My feast is now of the Tooba Tree[177]

"Whose scent is the breath of Eternity!

"Farewell, ye vanishing flowers that shone

  "In my fairy wreath so bright an' brief;—

"Oh! what are the brightest that e'er have blown

"To the lote-tree springing by ALLA'S throne[178]

  "Whose flowers have a soul in every leaf.

"Joy, joy for ever.—my task is done—

"The Gates are past and Heaven is won!"

"And this," said the Great Chamberlain, "is poetry! this flimsy manufacture of the brain, which in comparison with the lofty and durable monuments of genius is as the gold filigree-work of Zamara beside the eternal architecture of Egypt!" After this gorgeous sentence, which, with a few more of the same kind, FADLADEEN kept by him for rare and important occasions, he proceeded to the anatomy of the short poem just recited. The lax and easy kind of metre in which it was written ought to be denounced, he said, as one of the leading causes of the alarming growth of poetry in our times. If some check were not given to this lawless facility we should soon be overrun by a race of bards as numerous and as shallow as the hundred and twenty thousand Streams of Basra.[179] They who succeeded in this style deserved chastisement for their very success;—as warriors have been punished even after gaining a victory because they had taken the liberty of gaining it in an irregular or unestablished manner. What then was to be said to those who failed? to those who presumed as in the present lamentable instance to imitate the licence and ease of the bolder sons of song without any of that grace or vigor which gave a dignity even to negligence;—who like them flung the jereed[180] carelessly, but not, like them, to the mark;—"and who," said he, raising his voice to excite a proper degree of wakefulness in his hearers, "contrive to appear heavy and constrained in the midst of all the latitude they allow themselves, like one of those young pagans that dance before the Princess, who is ingenious enough to move as if her limbs were fettered, in a pair of the lightest and loosest drawers of Masulipatam!"

It was but little suitable, he continued, to the grave march of criticism to follow this fantastical Peri of whom they had just heard, through all her flights and adventures between earth and heaven, but he could not help adverting to the puerile conceitedness of the Three Gifts which she is supposed to carry to the skies,—a drop of blood, forsooth, a sigh, and a tear! How the first of these articles was delivered into the Angel's "radiant hand" he professed himself at a loss to discover; and as to the safe carriage of the sigh and the tear, such Peris and such poets were beings by far too incomprehensible for him even to guess how they managed such matters. "But, in short," said he, "it is a waste of time and patience to dwell longer upon a thing so incurably frivolous,—puny even among its own puny race, and such as only the Banyan Hospital[181] for Sick Insects should undertake."

In vain did LALLA ROOKH try to soften this inexorable critic; in vain did she resort to her most eloquent commonplaces, reminding him that poets were a timid and sensitive race whose sweetness was not to be drawn forth like that of the fragrant grass near the Ganges by crushing and trampling upon them,[182] that severity often extinguished every chance of the perfection which it demanded, and that after all perfection was like the Mountain of the Talisman,—no one had ever yet reached its summit.[183] Neither these gentle axioms nor the still gentler looks with which they were inculcated could lower for one instant the elevation of FADLADEEN'S eyebrows or charm him into anything like encouragement or even toleration of her poet. Toleration, indeed, was not among the weaknesses of FADLADEEN:—he carried the same spirit into matters of poetry and of religion, and though little versed in the beauties or sublimities of either was a perfect master of the art of persecution in both. His zeal was the same too in either pursuit, whether the game before him was pagans or poetasters, worshippers of cows, or writers of epics.

They had now arrived at the splendid city of Lahore whose mausoleums and shrines, magnificent and numberless where Death appeared to share equal honors with Heaven would have powerfully affected the heart and imagination of LALLA ROOKH, if feelings more of this earth had not taken entire possession of her already. She was here met by messengers despatched from Cashmere who informed her that the King had arrived in the Valley and was himself superintending the sumptuous preparations that were then making in the Saloons of the Shalimar for her reception. The chill she felt on receiving this intelligence,—which to a bride whose heart was free and light would have brought only images of affection and pleasure,—convinced her that her peace was gone for ever and that she was in love, irretrievably in love, with young FERAMORZ. The veil had fallen off in which this passion at first disguises itself, and to know that she loved was now as painful as to love without knowing it had been delicious. FERAMORZ, too,—what misery would be his, if the sweet hours of intercourse so imprudently allowed them should have stolen into his heart the same fatal fascination as into hers;—if, notwithstanding her rank and the modest homage he always paid to it, even he should have yielded to the influence of those long and happy interviews where music, poetry, the delightful scenes of nature,—all had tended to bring their hearts close together and to waken by every means that too ready passion which often like the young of the desert-bird is warmed into life by the eyes alone! [184] She saw but one way to preserve herself from being culpable as well as unhappy, and this however painful she was resolved to adopt. FERAMORZ must no more be admitted to her presence. To have strayed so far into the dangerous labyrinth was wrong, but to linger in it while the clew was yet in her hand would be criminal. Though the heart she had to offer to the King of Bucharia might be cold and broken, it should at least be pure, and she must only endeavor to forget the short dream of happiness she had enjoyed,—like that Arabian shepherd who in wandering into the wilderness caught a glimpse of the Gardens of Irim and then lost them again for ever!

The arrival of the young Bride at Lahore was celebrated in the most enthusiastic manner. The Rajas and Omras in her train, who had kept at a certain distance during the journey and never encamped nearer to the Princess than was strictly necessary for her safeguard here rode in splendid cavalcade through the city and distributed the most costly presents to the crowd. Engines were erected in all the squares which cast forth showers of confectionery among the people, while the artisans in chariots[185] adorned with tinsel and flying streamers exhibited the badges of their respective trades through the streets. Such brilliant displays of life and pageantry among the palaces and domes and gilded minarets of Lahore made the city altogether like a place of enchantment;—particularly on the day when LALLA ROOKH set out again upon her journey, when she was accompanied to the gate by all the fairest and richest of the nobility and rode along between ranks of beautiful boys and girls who kept waving over their heads plates of gold and silver flowers,[186] and then threw them around to be gathered by the populace.

For many days after their departure from Lahore a considerable degree of gloom hung over the whole party. LALLA ROOKH, who had intended to make illness her excuse for not admitting the young minstrel, as usual, to the pavilion, soon found that to feign indisposition was unnecessary;— FADLADEEN felt the loss of the good road they had hitherto travelled and was very near cursing Jehan-Guire (of blessed memory!) for not having continued his delectable alley of trees[187] a least as far as the mountains of Cashmere;—while the Ladies who had nothing now to do all day but to be fanned by peacocks' feathers and listen to FADLADEEN seemed heartily weary of the life they led and in spite of all the Great Chamberlain's criticisms were so tasteless as to wish for the poet again. One evening as they were proceeding to their place of rest for the night the Princess who for the freer enjoyment of the air had mounted her favorite Arabian palfrey, in passing by a small grove heard the notes of a lute from within its leaves and a voice which she but too well knew singing the following words:—

  Tell me not of joys above,

    If that world can give no bliss,

  Truer, happier than the Love

    Which enslaves our souls in this.

  Tell me not of Houris' eyes;—

    Far from me their dangerous glow.

  If those looks that light the skies

    Wound like some that burn below.

  Who that feels what Love is here,

    All its falsehood—all its pain—

  Would, for even Elysium's sphere,

    Risk the fatal dream again?

  Who that midst a desert's heat

    Sees the waters fade away

  Would not rather die than meet

    Streams again as false as they?

The tone of melancholy defiance in which these words were uttered went to LALLA ROOKH'S heart;—and as she reluctantly rode on she could not help feeling it to be a sad but still sweet certainty that FERAMORZ was to the full as enamored and miserable as herself.

The place where they encamped that evening was the first delightful spot they had come to since they left Lahore. On one side of them was a grove full of small Hindoo temples and planted with the most graceful trees of the East, where the tamarind, the cassia, and the silken plantains of Ceylon were mingled in rich contrast with the high fan-like foliage of the Palmyra,—that favorite tree of the luxurious bird that lights up the chambers of its nest with fire-flies.[188]. In the middle of the lawn where the pavilion stood there was a tank surrounded by small mango-trees on the clear cold waters of which floated multitudes of the beautiful red lotus,[189] while at a distance stood the ruins of a strange and awful- looking tower which seemed old enough to have been the temple of some religion no longer known and which spoke the voice of desolation in the midst of all that bloom and loveliness. This singular ruin excited the wonder and conjectures of all. LALLA ROOKH guessed in vain, and the all- pretending FADLADEEN who had never till this journey been beyond the precincts of Delhi was proceeding most learnedly to show that he knew nothing whatever about the matter, when one of the Ladies suggested that perhaps FERAMORZ could satisfy their curiosity. They were now approaching his native mountains and this tower might perhaps be a relic of some of those dark superstitions which had prevailed in that country before the light of Islam dawned upon it. The Chamberlain who usually preferred his own ignorance to the best knowledge that any one else could give him was by no means pleased with this officious reference, and the Princess too was about to interpose a faint word of objection, but before either of them could speak a slave was despatched for FERAMORZ, who in a very few minutes made his appearance before them—looking so pale and unhappy in LALLA ROOKH'S eyes that she repented already of her cruelty in having so long excluded him.

That venerable tower he told them was the remains of an ancient Fire- Temple, built by those Ghebers or Persians of the old religion, who many hundred years since had fled hither from the Arab conquerors, preferring liberty and their altars in a foreign land to the alternative of apostasy or persecution in their own. It was impossible, he added, not to feel interested in the many glorious but unsuccessful struggles which had been made by these original natives of Persia to cast off the yoke of their bigoted conquerors. Like their own Fire in the Burning Field at Bakou when suppressed in one place they had but broken out with fresh flame in another; and as a native of Cashmere, of that fair and Holy Valley which had in the same manner become the prey of strangers[190] and seen her ancient shrines and native princes swept away before the march of her intolerant invaders he felt a sympathy, he owned, with the sufferings of the persecuted Ghebers which every monument like this before them but tended more powerfully to awaken.

It was the first time that FERAMORZ had ever ventured upon so much prose before FADLADEEN and it may easily be conceived what effect such prose as this must have produced upon that most orthodox and most pagan- hating personage. He sat for some minutes aghast, ejaculating only at intervals, "Bigoted conquerors!—sympathy with Fire-worshippers!"[191]— while FERAMORZ happy to take advantage of this almost speechless horror of the Chamberlain proceeded to say that he knew a melancholy story connected with the events of one of those struggles of the brave Fire-worshippers against their Arab masters, which if the evening was not too far advanced he should have much pleasure in being allowed to relate to the Princess. It was impossible for LALLA ROOKH to refuse;—he had never before looked half so animated, and when he spoke of the Holy Valley his eyes had sparkled she thought like the talismanic characters on the scimitar of Solomon. Her consent was therefore most readily granted; and while FADLADEEN sat in unspeakable dismay, expecting treason and abomination in every line, the poet thus began his story of the Fire-worshippers: