HANNAH, THE LAST LIVING SLAVE OF THE SEMINOLE INDIANS.

A character holding a position unparalleled in Uncle Sam’s domain, is Hannah, the negro slave, belonging to Tallahassee’s family. She is a full-blooded negress, with thick lips, broad flat nose and kinky hair, which is tied in little plaits with the proverbial string of the Southern negro.

Hannah is the last vestige of Seminole slavery—the one great subject of warfare seventy-five years ago between the Seminoles and the Southern planters, and upon which, truly speaking, was based the “Seven Years’ War.” Hannah does the work of the family, and, though she is kindly treated, yet a certain contempt is felt for her, for Hannah is an este lusta (a negro) and to the haughty Seminole a negro is the lowest of human creatures.

The occasion when Hannah’s picture was kodaked is fresh in memory. All preparations were being made for the feast, but Billy Ham, Tallahassee’s son, had not been able to get a deer, and so had purchased beef from a market thirty miles away. With pots and kettles in evidence, Hannah was preparing the beef, when the little box-like instrument was gently rested on a rail near by. Hannah’s eye detected the object and she turned away, and began busying herself around the boiling kettle on the ground. The camera was adjusted, finger on button ready to snap, and a masked indifference affected, and an animated conversation begun with one of the Indians near by. When Hannah returned to her work about the table, snap! went the button, and Hannah’s ebony face and twisted, string-tied locks was photographed on the plate, and proud was the owner to possess so good a likeness of Uncle Sam’s one and only unfreed slave.