Nearly two-thirds of the Fragments cannot be assigned to any distinct class: the rest are divided among (1) [Greek: Epinikia], or Triumphal Odes (such as are the odes remaining to us entire), (2) [Greek: Hymnoi], or Hymns sung by a choir in honour of gods, (3) [Greek: Paianes], or Hymns of a like kind but anciently addressed especially to Apollo and Artemis for their intervention against pestilence, (4) [Greek: Dithyramboi], or choral songs of more general compass, verging sometimes on the drama, (5) [Greek: Prosodia], or Processional Songs, (6) [Greek: Parthenia], or Songs for a Choir of Maidens, (7) [Greek: Hyporchaemata], or Songs with Accompaniment of Dance, (8) [Greek: Enkomia], or Odes sung by a [Greek: komos] in praise of some person but not necessarily on any special occasion, (9) [Greek: Skolia], or Songs to be sung at Banquets, (10) [Greek: Thraenoi], or Dirges.