Denmark Hill,
1st June, 1871.1
My Friends,
The main purpose of these letters having been stated in the last of them, it is needful that I should tell you why I approach the discussion of it in this so desultory way, writing (as it is too true that I must continue to write,) “of things that you little care for, in words that you cannot easily understand.”
I write of things you care little for, knowing that what you least care for is, at this juncture, of the greatest moment to you.
And I write in words you are little likely to understand, because I have no wish (rather the contrary) to tell you anything that you can understand without taking trouble. You usually read so fast that you can catch nothing but the echo of your own opinions, which, of course, you are pleased to see in print. I neither wish to please, nor displease you; but to provoke you to think; to lead you to think accurately; and help you to form, perhaps, some different opinions from those you have now.
Therefore, I choose that you shall pay me the price of two pots of beer, twelve times in the year, for my advice, each of you who wants it. If you like to think of me as a quack doctor, you are welcome; and you may consider the large margins, and thick paper, and ugly pictures of my book, as my caravan, drum, and skeleton. You would probably, if invited in that manner, buy my pills; and I should make a great deal of money out of you; but being an honest doctor, I still mean you to pay me what you ought. You fancy, doubtless, that I write—as most other political writers do—my ‘opinions’; and that one man’s opinion is as good as another’s. You are much mistaken. When I only opine things, I hold my tongue; and work till I more than opine—until I know them. If the things prove unknowable, I, with final perseverance, hold my tongue about them, and recommend a like practice to other people. If the things prove knowable, as soon as I know them, I am ready to write about them, if need be; not till then. That is what people call my ‘arrogance.’ They write and talk themselves, habitually, of what they know nothing about; they cannot in anywise conceive the state of mind of a person who will not speak till he knows; and then tells them, serenely, “This is so; you may find it out for yourselves, if you choose; but, however little you may choose it, the thing is still so.”
Now it has cost me twenty years of thought, and of hard reading, to learn what I have to tell you in these pamphlets; and you will find, if you choose to find, it is true; and may prove, if you choose to prove, that it is useful: and I am not in the least minded to compete for your audience with the ‘opinions’ in your damp journals, morning and evening, the black of them coming off on your fingers, and—beyond all washing—into your brains. It is no affair of mine whether you attend to me or not; but yours wholly; my hand is weary of pen-holding—my heart is sick of thinking; for my own part, I would not write you these pamphlets though you would give me a barrel of beer, instead of two pints, for them:—I write them wholly for your sake; I choose that you shall have them decently printed on cream-coloured paper, and with a margin underneath, which you can write on, if you like. That is also for your sake: it is a proper form of book for any man to have who can keep his books clean; and if he cannot, he has no business with books at all. It costs me ten pounds to print a thousand copies, and five more to give you a picture; and a penny off my sevenpence to send you the book;—a thousand sixpences are twenty-five pounds; when you have bought a thousand Fors of me, I shall therefore have five pounds for my trouble—and my single shopman, Mr. Allen, five pounds for his; we won’t work for less, either of us; not that we would not, were it good for you; but it would be by no means good. And I mean to sell all my large books, henceforward, in the same way; well printed, well bound, and at a fixed price; and the trade may charge a proper and acknowledged profit for their trouble in retailing the book. Then the public will know what they are about, and so will tradesmen; I, the first producer, answer, to the best of my power, for the quality of the book;—paper, binding, eloquence, and all: the retail dealer charges what he ought to charge, openly; and if the public do not choose to give it, they can’t get the book. That is what I call legitimate business. Then as for this misunderstanding of me—remember that it is really not easy to understand anything, which you have not heard before, if it relates to a complex subject; also, it is quite easy to misunderstand things that you are hearing every day—which seem to you of the intelligiblest sort. But I can only write of things in my own way and as they come into my head; and of the things I care for, whether you care for them or not, as yet. I will answer for it, you must care for some of them, in time.
To take an instance close to my hand: you would of course think it little conducive to your interests that I should give you any account of the wild hyacinths which are opening in flakes of blue fire, this day, within a couple of miles of me, in the glades of Bagley wood through which the Empress Maud fled in the snow, (and which, by the way, I slink through, myself, in some discomfort, lest the gamekeeper of the college of the gracious Apostle St. John should catch sight of me; not that he would ultimately decline to make a distinction between a poacher and a professor, but that I dislike the trouble of giving an account of myself). Or, if even you would bear with a scientific sentence or two about them, explaining to you that they were only green leaves turned blue, and that it was of no consequence whether they were either; and that, as flowers, they were scientifically to be considered as not in existence,—you will, I fear, throw my letter, even though it has cost you sevenpence, aside at once, when I remark to you that these wood hyacinths of Bagley have something to do with the battle of Marathon, and if you knew it, are of more vital interest to you than even the Match Tax.
Nevertheless, as I shall feel it my duty, some day, to speak to you of Theseus and his vegetable soup, so, to-day, I think it necessary to tell you that the wood-hyacinth is the best English representative of the tribe of flowers which the Greeks called “Asphodel,” and which they thought the heroes who had fallen in the battle of Marathon, or in any other battle, fought in just quarrel, were to be rewarded, and enough rewarded, by living in fields-full of; fields called, by them, Elysian, or the Fields of Coming, as you and I talk of the good time ‘Coming,’ though with perhaps different views as to the nature of the to be expected goodness.
Now what the Chancellor of the Exchequer said the other day to the Civil Engineers (see Saturday Review, April 29th,) is entirely true; namely, that in any of our colliery or cartridge-manufactory explosions, we send as many men (or women) into Elysium as were likely to get there after the battle of Marathon;2 and that is, indeed, like the rest of our economic arrangements, very fine, and pleasant to think upon; neither may it be doubted, on modern principles of religion and equality, that every collier and cartridge-filler is as fit for Elysium as any heathen could be; and that in all these respects the battle of Marathon is no more deserving of English notice. But what I want you to reflect upon, as of moment to you, is whether you really care for the hyacinthine Elysium you are going to? and if you do, why you should not live a little while in Elysium here, instead of waiting so patiently, and working so hardly, to be blown or flattened into it? The hyacinths will grow well enough on the top of the ground, if you will leave off digging away the bottom of it; and another plant of the asphodel species, which the Greeks thought of more importance even than hyacinths—onions; though, indeed, one dead hero is represented by Lucian as finding something to complain of even in Elysium, because he got nothing but onions there to eat. But it is simply, I assure you, because the French did not understand that hyacinths and onions were the principal things to fill their existing Elysian Fields, or Champs Elysées, with, but chose to have carriages, and roundabouts, instead, that a tax on matches in those fields would be, nowadays, so much more productive than one on Asphodel; and I see that only a day or two since even a poor Punch’s show could not play out its play in Elysian peace, but had its corner knocked off by a shell from Mont Valérien, and the dog Toby “seriously alarmed.”
One more instance of the things you don’t care for, that are vital to you, may be better told now than hereafter.
In my plan for our practical work, in last number, you remember I said, we must try and make some pottery, and have some music, and that we would have no steam engines. On this I received a singular letter from a resident at Birmingham, advising me that the colours for my pottery must be ground by steam, and my musical instruments constructed by it. To this, as my correspondent was an educated person, and knew Latin, I ventured to answer that porcelain had been painted before the time of James Watt; that even music was not entirely a recent invention; that my poor company, I feared, would deserve no better colours than Apelles and Titian made shift with, or even the Chinese; and that I could not find any notice of musical instruments in the time of David, for instance, having been made by steam.
To this my correspondent again replied that he supposed David’s “twangling upon the harp” would have been unsatisfactory to modern taste; in which sentiment I concurred with him, (thinking of the Cumberland procession, without dancing, after its sacred, cylindrical Ark). We shall have to be content, however, for our part, with a little “twangling” on such roughly-made harps, or even shells, as the Jews and Greeks got their melody out of, though it must indeed be little conceivable in a modern manufacturing town that a nation could ever have existed which imaginarily dined on onions in Heaven, and made harps of the near relations of turtles on Earth. But to keep to our crockery, you know I told you that for some time we should not be able to put any pictures of Gods on it; and you might think that would be of small consequence: but it is of moment that we should at least try—for indeed that old French potter, Palissy, was nearly the last of potters in France, or England either, who could have done so, if anybody had wanted Gods. But nobody in his time did;—they only wanted Goddesses, of a demi-divine-monde pattern; Palissy, not well able to produce such, took to moulding innocent frogs and vipers instead, in his dishes; but at Sèvres and other places for shaping of courtly clay, the charmingest things were done, as you probably saw at the great peace-promoting Exhibition of 1851; and not only the first rough potter’s fields, tileries, as they called them, or Tuileries, but the little den where Palissy long after worked under the Louvre, were effaced and forgotten in the glory of the House of France; until the House of France forgot also that to it, no less than the House of Israel, the words were spoken, not by a painted God, “As the clay is in the hands of the potter, so are ye in mine;” and thus the stained and vitrified show of it lasted, as you have seen, until the Tuileries again became the Potter’s field, to bury, not strangers in, but their own souls, no more ashamed of Traitorhood, but invoking Traitorhood, as if it covered, instead of constituting, uttermost shame;—until, of the kingdom and its glory there is not a shard left, to take fire out of the hearth.
Left—to men’s eyes, I should have written. To their thoughts, is left yet much; for true kingdoms and true glories cannot pass away. What France has had of such, remain to her. What any of us can find of such, will remain to us. Will you look back, for an instant, again to the end of my last Letter, p. 23, and consider the state of life described there:—“No liberty, but instant obedience to known law and appointed persons; no equality, but recognition of every betterness and reprobation of every worseness; and none idle but the dead.”
I beg you to observe that last condition especially. You will debate for many a day to come the causes that have brought this misery upon France, and there are many; but one is chief—chief cause, now and always, of evil everywhere; and I see it at this moment, in its deadliest form, out of the window of my quiet English inn. It is the 21st of May, and a bright morning, and the sun shines, for once, warmly on the wall opposite, a low one, of ornamental pattern, imitative in brick of wood-work (as if it had been of wood-work, it would, doubtless, have been painted to look like brick). Against this low decorative edifice leans a ruddy-faced English boy of seventeen or eighteen, in a white blouse and brown corduroy trousers, and a domical felt hat; with the sun, as much as can get under the rim, on his face, and his hands in his pockets; listlessly watching two dogs at play. He is a good boy, evidently, and does not care to turn the play into a fight;3 still it is not interesting enough to him, as play, to relieve the extreme distress of his idleness, and he occasionally takes his hands out of his pockets, and claps them at the dogs, to startle them.
The ornamental wall he leans against surrounds the county police-office, and the residence at the end of it, appropriately called “Gaol Lodge.” This county gaol, police-office, and a large gasometer, have been built by the good people of Abingdon to adorn the principal entrance to their town from the south. It was once quite one of the loveliest, as well as historically interesting, scenes in England. A few cottages and their gardens, sloping down to the river-side, are still left, and an arch or two of the great monastery; but the principal object from the road is now the gaol, and from the river the gasometer. It is curious that since the English have believed (as you will find the editor of the Liverpool Daily Post, quoting to you from Macaulay, in his leader of the 9th of this month), “the only cure for Liberty is more liberty,” (which is true enough, for when you have got all you can, you will be past physic,) they always make their gaols conspicuous and ornamental. Now I have no objection, myself, detesting, as I do, every approach to liberty, to a distinct manifestation of gaol, in proper quarters; nay, in the highest, and in the close neighbourhood of palaces; perhaps, even, with a convenient passage, and Ponte de’ Sospiri, from one to the other, or, at least, a pleasant access by water-gate and down the river; but I do not see why in these days of ‘incurable’ liberty, the prospect in approaching a quiet English county town should be a gaol, and nothing else.
That being so, however, the country boy, in his white blouse, leans placidly against the prison wall this bright Sunday morning, little thinking what a luminous sign-post he is making of himself, and living gnomon of sun-dial, of which the shadow points sharply to the subtlest cause of the fall of France, and of England, as is too likely, after her.
Your hands in your own pockets, in the morning. That is the beginning of the last day; your hands in other people’s pockets at noon; that is the height of the last day; and the gaol, ornamented or otherwise (assuredly the great gaol of the grave), for the night. That is the history of nations under judgment. Don’t think I say this to any single class; least of all specially to you; the rich are continually, nowadays, reproaching you with your wish to be idle. It is very wrong of you; but, do they want to work all day, themselves? All mouths are very properly open now against the Paris Communists because they fight that they may get wages for marching about with flags. What do the upper classes fight for, then? What have they fought for since the world became upper and lower, but that they also might have wages for walking about with flags, and that mischievously? It is very wrong of the Communists to steal church-plate and candlesticks. Very wrong indeed; and much good may they get of their pawnbrokers’ tickets. Have you any notion (I mean that you shall have some soon) how much the fathers and fathers’ fathers of these men, for a thousand years back, have paid their priests, to keep them in plate and candlesticks? You need not think I am a republican, or that I like to see priests ill-treated, and their candlesticks carried off. I have many friends among priests, and should have had more had I not long been trying to make them see that they have long trusted too much in candlesticks, not quite enough in candles; not at all enough in the sun, and least of all enough in the sun’s Maker. Scientific people indeed of late opine the sun to have been produced by collision, and to be a splendidly permanent railroad accident, or explosive Elysium: also I noticed, only yesterday, that gravitation itself is announced to the members of the Royal Institution as the result of vibratory motion. Some day, perhaps, the members of the Royal Institution will proceed to inquire after the cause of—vibratory motion. Be that as it may, the Beginning, or Prince of Vibration, as modern science has it,—Prince of Peace, as old science had it,—continues through all scientific analysis, His own arrangements about the sun, as also about other lights, lately hidden or burning low. And these are primarily, that He has appointed a great power to rise and set in heaven, which gives life, and warmth, and motion, to the bodies of men, and beasts, creeping things, and flowers; and which also causes light and colour in the eyes of things that have eyes. And He has set above the souls of men, on earth, a great law or Sun of Justice or Righteousness, which brings also life and health in the daily strength and spreading of it, being spoken of in the priest’s language, (which they never explained to anybody, and now wonder that nobody understands,) as having “healing in its wings:” and the obedience to this law, as it gives strength to the heart, so it gives light to the eyes of souls that have got any eyes, so that they begin to see each other as lovely, and to love each other. That is the final law respecting the sun, and all manner of minor lights and candles, down to rushlights; and I once got it fairly explained, two years ago, to an intelligent and obliging wax-and-tallow chandler at Abbeville, in whose shop I used to sit sketching in rainy days; and watching the cartloads of ornamental candles which he used to supply for the church at the far east end of the town, (I forget what saint it belongs to, but it is opposite the late Emperor’s large new cavalry barracks,) where the young ladies of the better class in Abbeville had just got up a beautiful evening service, with a pyramid of candles which it took at least half an hour to light, and as long to put out again, and which, when lighted up to the top of the church, were only to be looked at themselves, and sung to, and not to light anybody or anything. I got the tallow-chandler to calculate vaguely the probable cost of the candles lighted in this manner, every day, in all the churches of France; and then I asked him how many cottagers’ wives he knew round Abbeville itself who could afford, without pinching, either dip or mould in the evening to make their children’s clothes by, and whether, if the pink and green beeswax of the district were divided every afternoon among them, it might not be quite as honourable to God, and as good for the candle trade? Which he admitted readily enough; but what I should have tried to convince the young ladies themselves of, at the evening service, would probably not have been admitted so readily;—that they themselves were nothing more than an extremely graceful kind of wax-tapers which had got into their heads that they were only to be looked at, for the honour of God, and not to light anybody.
Which is indeed too much the notion of even the masculine aristocracy of Europe at this day. One can imagine them, indeed, modest in the matter of their own luminousness, and more timid of the tax on agricultural horses and carts, than of that on lucifers; but it would be well if they were content, here in England, however dimly phosphorescent themselves, to bask in the sunshine of May at the end of Westminster Bridge, (as my boy on Abingdon Bridge,) with their backs against the large edifice they have built there,—an edifice, by the way, to my own poor judgment, less contributing to the adornment of London, than the new police-office to that of Abingdon. But the English squire, after his fashion, sends himself to that highly decorated gaol all spring-time; and cannot be content with his hands in his own pockets, nor even in yours and mine; but claps and laughs, semi-idiot that he is, at dog-fights on the floor of the House, which, if he knew it, are indeed dog-fights of the Stars in their courses, Sirius against Procyon; and of the havock and loosed dogs of war, makes, as the Times correspondent says they make, at Versailles, of the siege of Paris, “the Entertainment of the Hour.”
You think that, perhaps, an unjust saying of him, as he will, assuredly, himself. He would fain put an end to this wild work, if he could, he thinks.
My friends, I tell you solemnly, the sin of it all, down to this last night’s doing, or undoing, (for it is Monday now, I waited before finishing my letter, to see if the Sainte Chapelle would follow the Vendôme Column;) the sin of it, I tell you, is not that poor rabble’s, spade and pickaxe in hand among the dead; nor yet the blasphemer’s, making noise like a dog by the defiled altars of our Lady of Victories; and round the barricades, and the ruins, of the Street of Peace.
This cruelty has been done by the kindest of us, and the most honourable; by the delicate women, by the nobly-nurtured men, who through their happy and, as they thought, holy lives, have sought, and still seek, only “the entertainment of the hour.” And this robbery has been taught to the hands,—this blasphemy to the lips,—of the lost poor, by the False Prophets who have taken the name of Christ in vain, and leagued themselves with his chief enemy, “Covetousness, which is idolatry.”
Covetousness, lady of Competition and of deadly Care; idol above the altars of Ignoble Victory; builder of streets, in cities of Ignoble Peace. I have given you the picture of her—your goddess and only Hope—as Giotto saw her; dominant in prosperous Italy as in prosperous England, and having her hands clawed then, as now, so that she can only clutch, not work; also you shall read next month with me what one of Giotto’s friends says of her—a rude versifier, one of the twangling harpers; as Giotto was a poor painter for low price, and with colours ground by hand; but such cheap work must serve our turn for this time; also, here, is portrayed for you4 one of the ministering angels of the goddess; for she herself, having ears set wide to the wind, is careful to have wind-instruments provided by her servants for other people’s ears.
This servant of hers was drawn by the court portrait-painter, Holbein; and was a councillor at poor-law boards, in his day; counselling then, as some of us have, since, “Bread of Affliction and Water of Affliction” for the vagrant as such,—which is, indeed, good advice, if you are quite sure the vagrant has, or may have, a home; not otherwise. But we will talk further of this next month, taking into council one of Holbein’s prosaic friends, as well as that singing friend of Giotto’s—an English lawyer and country gentleman, living on his farm, at Chelsea (somewhere near Cheyne Row, I believe)—and not unfrequently visited there by the King of England, who would ask himself unexpectedly to dinner at the little Thames-side farm, though the floor of it was only strewn with green rushes. It was burnt at last, rushes, ricks, and all; some said because bread of affliction and water of affliction had been served to heretics there, its master being a stout Catholic; and, singularly enough, also a Communist; so that because of the fire, and other matters, the King at last ceased to dine at Chelsea. We will have some talk, however, with the farmer, ourselves, some day soon; meantime and always, believe me,
Faithfully yours,
JOHN RUSKIN.