To HORROR.

  [GREEK (transliterated):

                  Tin gar potaeisomai

                  tan chai schuliches tromeonti

                  Erchomenan nechuon ana t'aeria, chai melan aima.

                                                          Theocritos]

  Dark HORROR, hear my call!

    Stern Genius hear from thy retreat

    On some old sepulchre's moss-cankered seat,

  Beneath the Abbey's ivied wall

    That trembles o'er its shade;

  Where wrapt in midnight gloom, alone,

    Thou lovest to lie and hear

    The roar of waters near,

  And listen to the deep dull groan

    Of some perturbed sprite

  Borne fitful on the heavy gales of night.

  Or whether o'er some wide waste hill

    Thou mark'st the traveller stray,

    Bewilder'd on his lonely way,

  When, loud and keen and chill,

  The evening winds of winter blow

  Drifting deep the dismal snow.

  Or if thou followest now on Greenland's shore,

    With all thy terrors, on the lonely way

  Of some wrecked mariner, when to the roar

    Of herded bears the floating ice-hills round

    Pour their deep echoing sound,

    And by the dim drear Boreal light

  Givest half his dangers to the wretches sight.

    Or if thy fury form,

      When o'er the midnight deep

      The dark-wing'd tempests sweep

    Watches from some high cliff the encreasing storm,

      Listening with strange delight

    As the black billows to the thunder rave

      When by the lightnings light

    Thou seest the tall ship sink beneath the wave.

    Dark HORROR! bear me where the field of fight

      Scatters contagion on the tainted gale,

      When to the Moon's faint beam,

    On many a carcase shine the dews of night

      And a dead silence stills the vale

  Save when at times is heard the glutted Raven's scream.

  Where some wreck'd army from the Conquerors might

  Speed their disastrous flight,

    With thee fierce Genius! let me trace their way,

  And hear at times the deep heart-groan

  Of some poor sufferer left to die alone,

    His sore wounds smarting with the winds of night;

  And we will pause, where, on the wild,

    The [1] Mother to her frozen breast,

  On the heap'd snows reclining clasps her child

    And with him sleeps, chill'd to eternal rest!

  Black HORROR! speed we to the bed of Death,

    Where he whose murderous power afar

    Blasts with the myriad plagues of war,

  Struggles with his last breath,

    Then to his wildly-starting eyes

    The phantoms of the murder'd rise,

    Then on his frenzied ear

  Their groans for vengeance and the Demon's yell

  In one heart-maddening chorus swell.

  Cold on his brow convulsing stands the dew,

  And night eternal darkens on his view.

  HORROR! I call thee yet once more!

  Bear me to that accursed shore

  Where round the stake the impaled Negro writhes.

  Assume thy sacred terrors then! dispense

  The blasting gales of Pestilence!

  Arouse the race of Afric! holy Power,

  Lead them to vengeance! and in that dread hour

  When Ruin rages wide

  I will behold and smile by MERCY'S side.

[Footnote 1: I extract the following picture of consummate horror, from the notes to a Poem written in twelve syllable verse upon the campaign of 1794 and 1795; it was during the retreat to Deventer. "We could not proceed a hundred yards without perceiving the dead bodies of men, women, children and horses in every direction. One scene made an impression upon my memory which time will never be able to efface. Near another cart we perceived a stout looking man, and a beautiful young woman with an infant, about seven months old, at the breast, all three frozen and dead. The mother had most certainly expired in the act of suckling her child, as with one breast exposed, she lay upon the drifted snow, the milk to all appearance in a stream drawn from the nipple by the babe, and instantly congealed. The infant seemed as if its lips had but just then been disengaged, and it reposed its little head upon the mother's bosom, with, an overflow of milk, frozen as it trickled from the mouth; their countenances were perfectly composed and fresh, resembling those of persons in a sound and tranquil slumber."]

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