II CAMBRIDGE

The second University to honour the Player was Cambridge. The occasion was this:

He was asked by the Vice-Chancellor, Mr. Hill, to give the “Rede” Lecture for 1898. This request is, from the antiquity and record of the function, in itself an honour.

The Rede Lecture was delivered at noon in the Senate House of the University on Wednesday, 15th June, 1898, for the night of which day he had closed the Lyceum. Irving had chosen as his subject, “The Theatre in its relation to the State.” Throughout his life he always selected some subject connected with his work. His art with him was the Alpha and Omega of his endeavour. In this case he showed that, though some might regard the theatre as a mere pleasure-house, it had in truth a much more important use as a place of education.

“I claim for the theatre that it may be, and is, a potent means of teaching great truths and furthering the spread or education of the higher kind—the knowledge of the scope and working of human character.”

The lecture was beautifully and earnestly delivered and was received with very great enthusiasm. Very picturesque the lecturer looked in the rostrum in his Dublin robes. These he exchanged later in the day, when he received his Cambridge degree, D.Litt. This dress, all scarlet and red with velvet hat, looked even more picturesque than that of Dublin University.

That was an exhausting day. A journey from St. Pancras at 8.15 A.M. A visit to the Vice-Chancellor at Downing Lodge, Cambridge. The Public Lecture. Luncheon with the Vice-Chancellor in Downing Hall, with speech. The Conferring of Degree. A Garden Party at King’s College. A Dinner Party in Hall given by the Master and Fellows of Trinity College to the Recipients of degrees. A Reception in the house of the Master of Trinity. And finishing up with a quiet smoke among a few friends at the rooms of Dr. Jackson.

The next morning there was a delightful breakfast in the house of Frederick Myers—Mrs. Myers, formerly Miss Tennant, was an old friend of Irving. Lord Dufferin was the youngest of the party, despite his seventy-two years. I think the Marquis of Dufferin and Ava had the most winning manner of any man I ever met. There was a natural sweetness of the heart and an infinite humour from the head whose combination was simply irresistible. His humour was of enormous and wide-embracing range, and touched with illumination whatever subject he talked of. He and Irving had much to say to each other. The rest who were present wished to hear them both; and so there was silence when either spoke. Irving seemed quite charmed with Lord Dufferin and gave way to him altogether. The picture rises before me of the scene in the study of Frederick Myers after breakfast, well shown by the wide window opening out on the beautiful garden behind the house. Seated on the high fender with padded top, with his back to the fireplace, sat Lord Dufferin, and round him in a close circle—the young girls being the closest and looking with admiring eyes—the whole of the rest of the party. His clear, sweet, exquisitely modulated voice seemed to suit the sunshine and the universal brightness of the place. Lord Dufferin’s voice seemed to rise and fall, to quicken or come slowly by a sort of selective instinct. It struck me as being naturally one of the most expressive voices I had ever heard.

That night Irving played The Medicine Man at the Lyceum, and I thought I detected here and there a trace of the influence of Lord Dufferin in the more winning passages of the play.