VII LYCEUM PRODUCTIONS

During Henry Irving’s personal management of the Lyceum he produced over forty plays, of which eleven were Shakespeare’s: Hamlet, The Merchant of Venice, Othello, Romeo and Juliet, Much Ado About Nothing, Twelfth Night, Macbeth, Henry VIII., King Lear, Cymbeline, and Richard III. Coriolanus was produced during his agreement with the Lyceum Company. He also reproduced six plays which he had before presented during his engagement by and partnership with the Batemans: Eugene Aram, Richelieu, Louis XI., The Lyons Mail, Charles I., The Bells. He also produced the following old plays, in most of which he had already appeared at some time: The Lady of Lyons, The Iron Chest, The Corsican Brothers, The Belle’s Stratagem, Two Roses, Olivia, The Dead Heart, Robert Macaire, and a good many “curtain-raisers” whose excellences were old and tried.

The new plays were in some instances old stories told afresh, and in the remainder historic subjects treated in a new way or else quite new themes or translations. In the first category were Faust, Werner, Ravenswood, Iolanthe (one act). In the second were: The Cup, The Amber Heart, Becket, King Arthur, Madame Sans-Gêne, Peter the Great, The Medicine Man, Robespierre and the following one-act plays: Waterloo, Nance Oldfield, and Don Quixote. Dante was produced after the Lyceum Company had been unable to carry out their contract with him.

This gives an average of two plays, “by and large” as the sailors say, for each year from 1878 to 1898, after which time he sold his rights to the Lyceum Theatre Company, Limited. Regarding some of these plays are certain matters of interest either in the preparation or the working. I shall simply try, now and again, to raise a little the veil which hangs between the great actor and the generations who may be interested in him and his work.