V

Our next meeting was on September 18, 1886, when we were all Irving’s guests at the Continental once again—another partie carrée.

On this occasion the conversation was chiefly of plays. Both Sir Richard and Lady Burton impressed on Irving how much might be done with a play taken from some story, or group of stories, in the Arabian Nights. Burton had a most vivid way of putting things—especially of the East. He had both a fine imaginative power and a memory richly stored not only from study but from personal experience. As he talked, fancy seemed to run riot in its alluring power; and the whole world of thought seemed to flame with gorgeous colour. Burton knew the East. Its brilliant dawns and sunsets; its rich tropic vegetation, and its arid fiery deserts; its cool, dark mosques and temples; its crowded bazaars; its narrow streets; its windows guarded for out-looking and from in-looking eyes; the pride and swagger of its passionate men, and the mysteries of its veiled women; its romances; its beauty; its horrors. Irving grew fired as the night wore on and it became evident that he had it in his mind from that time to produce some such play as the Burtons suggested, should occasion serve. It was probably the recollection of that night that brought back to him, so closely as to be an incentive to possibility, his own glimpse of the East as seen in Morocco and the Levant seven years before. When De Bornier published his Mahomet in Paris some few years later he was in the receptive mood to consider it as a production.

I asked Lady Burton to get me a picture of her husband. She said he had a rooted dislike to letting any one have his picture, but said she would ask him. Presently she sent me one, and with it a kindly word: “Dick said he would give it you, because it was you; but that he wouldn’t have given it to any one else!”