III

We may, I think, divide the subject thus:

CHARACTER

A.—Its Essence

{x.—The Dramatist’s setting out of it

{y.—Its truth to accepted type

{z.—The Player’s method of studying these two

B.—Reticence

C.—Art and Truth

THE PLAY

STAGE PERSPECTIVE

DUAL CONSCIOUSNESS

INDIVIDUALITY, AND THE KNOWLEDGE OF IT