Something of the same kind was enacted across the Atlantic. When on the evening of Monday, October 29, the curtain rose on the first scene of The Bells, there was the hush of expectation, prolonged till the moment when the door of the inn parlour was thrown open and Irving seemed swept in by the rushing snowstorm. The tempest of cheers seemed just as though the prolongation of that last moment in London; and for six or seven minutes—an incredibly long time for such a matter on the stage—the cheering went on.