RUPERT’S JOURNAL—Continued.
April 27, 1907.
After a spell of loneliness which has seemed endless I have something to write. When the void in my heart was becoming the receptacle for many devils of suspicion and distrust I set myself a task which might, I thought, keep my thoughts in part, at any rate, occupied—to explore minutely the neighbourhood round the Castle. This might, I hoped, serve as an anodyne to my pain of loneliness, which grew more acute as the days, the hours, wore on, even if it should not ultimately afford me some clue to the whereabouts of the woman whom I had now grown to love so madly.
My exploration soon took a systematic form, as I intended that it should be exhaustive. I would take every day a separate line of advance from the Castle, beginning at the south and working round by the east to the north. The first day only took me to the edge of the creek, which I crossed in a boat, and landed at the base of the cliff opposite. I found the cliffs alone worth a visit. Here and there were openings to caves which I made up my mind to explore later. I managed to climb up the cliff at a spot less beetling than the rest, and continued my journey. It was, though very beautiful, not a specially interesting place. I explored that spoke of the wheel of which Vissarion was the hub, and got back just in time for dinner.
The next day I took a course slightly more to the eastward. I had no difficulty in keeping a straight path, for, once I had rowed across the creek, the old church of St. Sava rose before me in stately gloom. This was the spot where many generations of the noblest of the Land of the Blue Mountains had from time immemorial been laid to rest, amongst them the Vissarions. Again, I found the opposite cliffs pierced here and there with caves, some with wide openings,—others the openings of which were partly above and partly below water. I could, however, find no means of climbing the cliff at this part, and had to make a long detour, following up the line of the creek till further on I found a piece of beach from which ascent was possible. Here I ascended, and found that I was on a line between the Castle and the southern side of the mountains. I saw the church of St. Sava away to my right, and not far from the edge of the cliff. I made my way to it at once, for as yet I had never been near it. Hitherto my excursions had been limited to the Castle and its many gardens and surroundings. It was of a style with which I was not familiar—with four wings to the points of the compass. The great doorway, set in a magnificent frontage of carved stone of manifestly ancient date, faced west, so that, when one entered, he went east. To my surprise—for somehow I expected the contrary—I found the door open. Not wide open, but what is called ajar—manifestly not locked or barred, but not sufficiently open for one to look in. I entered, and after passing through a wide vestibule, more like a section of a corridor than an ostensible entrance, made my way through a spacious doorway into the body of the church. The church itself was almost circular, the openings of the four naves being spacious enough to give the appearance of the interior as a whole, being a huge cross. It was strangely dim, for the window openings were small and high-set, and were, moreover, filled with green or blue glass, each window having a colour to itself. The glass was very old, being of the thirteenth or fourteenth century. Such appointments as there were—for it had a general air of desolation—were of great beauty and richness,—especially so to be in a place—even a church—where the door lay open, and no one was to be seen. It was strangely silent even for an old church on a lonesome headland. There reigned a dismal solemnity which seemed to chill me, accustomed as I have been to strange and weird places. It seemed abandoned, though it had not that air of having been neglected which is so often to be noticed in old churches. There was none of the everlasting accumulation of dust which prevails in places of higher cultivation and larger and more strenuous work.
In the church itself or its appending chambers I could find no clue or suggestion which could guide me in any way in my search for the Lady of the Shroud. Monuments there were in profusion—statues, tablets, and all the customary memorials of the dead. The families and dates represented were simply bewildering. Often the name of Vissarion was given, and the inscription which it held I read through carefully, looking to find some enlightenment of any kind. But all in vain: there was nothing to see in the church itself. So I determined to visit the crypt. I had no lantern or candle with me, so had to go back to the Castle to secure one.
It was strange, coming in from the sunlight, here overwhelming to one so recently accustomed to northern skies, to note the slender gleam of the lantern which I carried, and which I had lit inside the door. At my first entry to the church my mind had been so much taken up with the strangeness of the place, together with the intensity of wish for some sort of clue, that I had really no opportunity of examining detail. But now detail became necessary, as I had to find the entrance to the crypt. My puny light could not dissipate the semi-Cimmerian gloom of the vast edifice; I had to throw the feeble gleam into one after another of the dark corners.
At last I found, behind the great screen, a narrow stone staircase which seemed to wind down into the rock. It was not in any way secret, but being in the narrow space behind the great screen, was not visible except when close to it. I knew I was now close to my objective, and began to descend. Accustomed though I have been to all sorts of mysteries and dangers, I felt awed and almost overwhelmed by a sense of loneliness and desolation as I descended the ancient winding steps. These were many in number, roughly hewn of old in the solid rock on which the church was built.
I met a fresh surprise in finding that the door of the crypt was open. After all, this was different from the church-door being open; for in many places it is a custom to allow all comers at all times to find rest and comfort in the sacred place. But I did expect that at least the final resting-place of the historic dead would be held safe against casual intrusion. Even I, on a quest which was very near my heart, paused with an almost overwhelming sense of decorum before passing through that open door. The crypt was a huge place, strangely lofty for a vault. From its formation, however, I soon came to the conclusion that it was originally a natural cavern altered to its present purpose by the hand of man. I could hear somewhere near the sound of running water, but I could not locate it. Now and again at irregular intervals there was a prolonged booming, which could only come from a wave breaking in a confined place. The recollection then came to me of the proximity of the church to the top of the beetling cliff, and of the half-sunk cavern entrances which pierced it.
With the gleam of my lamp to guide me, I went through and round the whole place. There were many massive tombs, mostly rough-hewn from great slabs or blocks of stone. Some of them were marble, and the cutting of all was ancient. So large and heavy were some of them that it was a wonder to me how they could ever have been brought to this place, to which the only entrance was seemingly the narrow, tortuous stairway by which I had come. At last I saw near one end of the crypt a great chain hanging. Turning the light upward, I found that it depended from a ring set over a wide opening, evidently made artificially. It must have been through this opening that the great sarcophagi had been lowered.
Directly underneath the hanging chain, which did not come closer to the ground than some eight or ten feet, was a huge tomb in the shape of a rectangular coffer or sarcophagus. It was open, save for a huge sheet of thick glass which rested above it on two thick balks of dark oak, cut to exceeding smoothness, which lay across it, one at either end. On the far side from where I stood each of these was joined to another oak plank, also cut smooth, which sloped gently to the rocky floor. Should it be necessary to open the tomb, the glass could be made to slide along the supports and descend by the sloping planks.
Naturally curious to know what might be within such a strange receptacle, I raised the lantern, depressing its lens so that the light might fall within.
Then I started back with a cry, the lantern slipping from my nerveless hand and falling with a ringing sound on the great sheet of thick glass.
Within, pillowed on soft cushions, and covered with a mantle woven of white natural fleece sprigged with tiny sprays of pine wrought in gold, lay the body of a woman—none other than my beautiful visitor. She was marble white, and her long black eyelashes lay on her white cheeks as though she slept.
Without a word or a sound, save the sounds made by my hurrying feet on the stone flooring, I fled up the steep steps, and through the dim expanse of the church, out into the bright sunlight. I found that I had mechanically raised the fallen lamp, and had taken it with me in my flight.
My feet naturally turned towards home. It was all instinctive. The new horror had—for the time, at any rate—drowned my mind in its mystery, deeper than the deepest depths of thought or imagination.
