All the next day Sally's nerves were on edge. She had slept heavily, and had awakened unrefreshed. She had made her way to Madame Gala's in a tame morning mood, once again self-distrustful, very much waiting upon events. The sight of Nosey checking the times of arrival, and still more the gloomy aspect of a half-empty workroom, chilled her. Miss Summers looked spiteful, Rose Anstey was sniffling with a cold, the others were listless and tired. It was a muggy morning, and all spirits were low. Sally's were lower than any others in the room. She began to work with only half her ordinary attentiveness, broke her cotton, snapped a needle, fidgetted. Her eyelids were hot, and she felt a headache begin to throb faintly in promise of greater effort later in the day. She was restless and wretched, looking at the door which probably hid Gaga. Even the memory of last night's kisses was stale and unsatisfactory. As she drew her breath in a half-sob, Sally longed suddenly for Toby. She longed for his strong arms, his possessive air, his muscular strength. And as she thought of Toby a tear came to her eye, and she felt that life was not worth living. A consciousness of childish need for support destroyed all her confidence at a blow. How she hated all these stupid girls! How she longed for something—she could not imagine what—which should take her out of their company. Complaint filled her mind. Why should she have to work, to go backwards and forwards between the workroom and that miserable home where her mother stewed incessantly and followed the course of her monotonous days? It was a mood of pure reaction, but it made Sally desperate. Her head began to ache more noticeably. She was almost crying.
That, perhaps, was the condition of them all. None of the girls spoke, and all looked black and miserable as they bent over their work, or slacked and glanced around them. Outside, the rain began to fall, and the sky was grey with cloud. The lights had to be switched on, and they cast a deceptive glow upon all work, and idiotic shadows of the moving fingers of the girls. Miss Summers glowered and rubbed the tip of her nose; and at each crack or rustle of a chair or a piece of material she glanced sharply up, as though she were fighting with an impulse to scream. Sally felt that if Miss Summers had screamed they would all have screamed. She herself was tempted to scream first, so as to see what would happen. She thought that all work would be instantly thrown down, and that everybody would answer her cry, and then begin noisily to sob. Even miserable as she was, the thought of this avalanche of feminine excitability made Sally snuffle with amusement. She pictured Gaga running out of his room, distraught, looking yellow and bilious, his eyes staring wildly out of his head, as do the eyes of prawns. And then? And then Rose Anstey would fall bellowing into his arms, and Sally would tear her away, and claim Gaga before them all....
How astounded he would be! But anything would be better than this wretched suppressed exasperation which was making the atmosphere of the workroom unbearable. Fortunately a girl finished the work she was doing, and took it to Miss Summers.
"Very bad!" snapped Miss Summers. "It's not even straight! You must do it again. Naughty girl, to waste that silk like this!"
The girl began weakly to cry. All the others stared viciously at her, gloating over her distress, hating her, and thankful to have some object at which to discharge their suppressed venom. They would have liked to beat her. Savagery shone in their malignant eyes. All became sadistic in their enjoyment of the weeping girl as she crept back to her place. Only Miss Summers grew rather red, and swallowed quickly, and was ashamed.
"Nancy!" she called. "What is it? Aren't you well?"
Nancy put her head upon her outstretched arms, and they could hear the long dreadful sobs that shook her body. Upon every face Sally read the same message; the curled lips, the pinched nostrils, all indicated the general strain.
"We're all like that this morning, Miss Summers," she said, almost with defiance. "It's the weather. That's what it is."
The other girls all turned from Nancy and transferred to Sally their mounting malevolence. They would have liked to see her swept from her place. They could have scratched and bitten her with fury. And yet, a moment or two after she had spoken, there was a perceptible relief. Nancy stole out of the room, to finish her cry and bathe her face, and one of the girls—her friend—went after her. There was a pause in work. A window was opened, and some air lightened the oppression. Sally remained seated, while the others crowded to the window, and slowly recovered her own composure. And then, in five minutes, when everybody resumed, it was found that things were not so bad after all, and Nancy's work was rectified, and Rose Anstey blew her nose and looked disagreeable, and some of them talked; so that presently all became more animated, and the sky lightened, and the day was less trying. Only Sally's head continued to ache, and her spirits to falter. But she no longer sighed for Toby. A curious dread of him came into her consciousness, which she could not understand. She was afraid. She felt defensive towards him, and explanatory. Under her attention all sorts of impulses were at work. Pictures of Toby in different circumstances began to flash into her mind, always blurring in an instant; while the memory of her dinner with Gaga grew stronger and more remarkable. Not knowing what she was doing, Sally pushed her work away, and sat in a brown study, until she became aware that she was under observation.
Sally met these cruel stares with immediately assumed equanimity, and she once more drew the work towards her; and in a few moments the girls forgot Sally, and chattered a little together. And by the time their attention was withdrawn wholly it was the luncheon interval which meant more to all of them than usual, since it once more gave the girls an opportunity for standing up and moving about. They grouped, and went slowly towards the room where they always ate; and Sally was able to open the other door for an instant, only to discover that Madam's room was empty. With a sinking heart she followed the others, again beset by a loss of confidence.
In the afternoon she was sent out by Miss Summers to match some silk, and this gave Sally relief without which she must have ended the day feeling ill. As it was she came back just as they were making tea, and her own cup of tea sent the headache away. For the first time that day, Sally heard herself laughing. She was telling Muriel of a fight between two dogs, and how a man had been overthrown in the mud through trying to part the dogs; and when Muriel laughed Sally laughed also, which made the other girls prick up their ears and grow more lively. There was a great change in the general atmosphere after tea. The constraint disappeared, and everybody became more normal. Needles were more adroitly used; the light improved; a general air of contentment arose. Sally no longer thought of Toby, or of Gaga. She was making a dream for herself, out of a motor car she had seen, and a handsome soldier, and the way a commissionaire had stepped out of her way. She needed few materials for her dream, and was a fine lady for the rest of the afternoon.
Dreaming, however, has its penalties; and for this occasion Sally was punished by having to stay rather late in order to finish what she was doing. The other girls began to go home; but Sally and Miss Summers remained at their tasks. The delay produced a strange experience for Sally, because when they were alone together Miss Summers began abruptly to talk. She hummed a little at first, and then broke into a long speech which had been seething all day in her mind.
"I hope you don't think I was nasty to Nancy this morning, Sally. She's a funny girl. She's in love, you know; and thinks of nothing but this man. And he's a married man, too, and not a good man, Sally. He'd think nothing of leading a girl like Nancy into doing wrong, and leaving her to get on as well as she can. Well, that's not right, Sally." Miss Summers felt for her handkerchief, and Sally noticed with astonishment that there were tears in her eyes. "You see, when a man's married he ought to be careful what he does. Now once, when I was a girl, I'd got my head full of the sort of things that young girls have—not you, Sally; you're too sensible;—and I met a man, and thought he was the ... well, I thought he was the finest man in the world. He wasn't. He'd got a poor wretched wife that he neglected, and he drank, and when he ran away they found he'd been betting with money that didn't belong to him. And he very nearly took me with him. Fortunately, I didn't go. I was afraid to go—though I didn't know about his wife. He said he'd marry me when we got away. Well, I thought it was funny. I said, 'Why not before?' and he said, 'You don't understand. What if we didn't suit each other?' I said, 'Why shouldn't we? Other people get married.' And all that sort of thing I said. Well, I wanted to go, and wanted to go; and at last I didn't, and I was thankful afterwards. Now Nancy's man is a shopwalker somewhere. He's got no money, but he's good-looking, you know, and girls think a lot of that when they're young; and also he's one of those men who give a girl the idea that he can have twenty others if he wants them. That's what upsets a girl. She thinks she's got to make her mind up in a hurry, or lose him, d'you see?"
"More fool she," remarked Sally. "Pooh!"
"So I say. Mind, in Nancy's case, she's just in love. He may not want her. She doesn't know. And it's the uncertainty that keeps her like this. Far better if she married some steady young fellow who'd make her a good husband. But girls don't think of that. They don't like steady fellows, any more than young fellows like steady girls."
"That's true," said Sally, thoughtfully. "They want a bit of ginger."
"Well, sometimes I think nobody ought to marry until they're well on in life."
"They'd miss a lot," Sally murmured.
"Eh? Well, it's a puzzle to me. Look at Nancy. What is it she wants? She's got forty or fifty years more to live."
"But you don't think like that," breathed Sally. "It's love."
Miss Summers gave a great sigh, and rubbed the tip of her nose with the back of her forefinger. She was seriously perplexed at the interruption from one so sagacious.
"You'll think twice before you marry for just love, and nothing else," said she.
Sally's little white face was turned away. She was apparently concentrated upon her work.
"Perhaps I shall," she admitted. "You never know what you'll do till the time comes."
"You can make up your mind to be careful," said Miss Summers. "It's not the first man who makes the best husband."
Sally crouched in her place. Her heart was beating so fast that she felt as though she were suffocating. Miss Summers could not appreciate the effect of her words, because she had gone back again to the subject of Nancy and her married shopwalker.
"You ought to have seen that child's work to-day!"
"Perhaps she's going to have a baby?" suggested Sally. It gave Miss Summers a great shock.
"Oh! D'you think so?" she exclaimed, her eyes wide open with horror. "Oh, no!"
"You'd have thought they were all going to have 'em, the way the girls all looked and acted this morning. They were all potty. Silly fools."
Miss Summers gave a sigh of relief, and then she laughed a little.
"We were all rather grumpy this morning," she admitted. "It's the weather. Always upsets people. Doctor Johnson said it didn't."
"Who's he? Doctors don't know anything at all. Only take advantage of other people's ignorance. They frighten people, you know, looking wise, and making you put out your tongue, and all."
"I don't know what we should do without them," sighed Miss Summers. "Of course, there's always the patent medicines; but I never found anything that cured my indigestion."
"Only chewing prop'ly," grimly suggested Sally.
Miss Summers abruptly rolled up her work at this unsympathetic remark, and took off her pinafore. She stood uncertainly by the window.
"I've been keeping you," she said. "But I am worried about that child. I do hope she hasn't been silly. At her age they've got no sense at all. They can't see an inch before their nose. You coming now, Sally? All right, slam the door after you.... Don't stay too late."
Ten minutes afterwards Miss Summers had gone. Sally waited a little while, to give her time to reach the street and remember anything that might bring her back. Then, very quietly, she took off her own pinafore, and stole across the room and listened at Gaga's door. She could hear nothing. Sharply, she tapped, and listened again.
"Come in!" said a voice.
Sally opened the door, standing there in her grey dress, with her hair brilliant, and her whole face smiling. And Gaga, looking up from his work, saw her thus as a vision, a happy vision for tired eyes. He smiled in return and Sally advanced, without any shyness or assumed shyness, into the room.
"Wondered if you were here," she said cheerfully. "Everybody else has gone. Miss Summers and all. I'm working on something. Oo, hasn't it been a day! The girls all had the fidgets. I've been quite ill all day."
"Ill?" demanded Gaga. "Not ... not really ill? Oh, I'm.... I'm so sorry. Poor Sally!"
"Headache," mentioned Sally, rather lugubriously, so as to encourage his pity.
"Headache? Oh, poor little girl! So have I."
Sally gave a little laugh. It contained all sorts of provocative shades of meaning.
"Hn," she said. "Funny us both having headaches. You still got yours?"
Gaga nodded. She went farther towards him, hesitated, and then still nearer.
"Very bad," groaned Gaga, and Sally could see the heaviness round his eyes.
"I'm so sorry," she said in a soft voice. Then: "My hand's cool. Shall I?" She put her hand to Gaga's forehead, and felt how burning it was. She felt him grow rigid at the contact, and saw his face betray his sensitiveness to her touch. Sally's smile deepened in mischief. She was playing with him, playing with fire and Gaga at the same time, and only lightly amused at her employment. But she was still apart from him, standing erect, with her right arm outstretched. There was not yet any intimacy in her attitude. Nor could she see his face very plainly without peeping over her arm.
"That better?" she asked.
"Beautiful." Gaga tried to move his head. Failing, he put his hand to her wrist, pulled it down, and pressed his lips to her fingers.
"Now, now!" warned Sally. "I'm curing your headache."
Mildly he permitted the withdrawal of her hand and its replacement upon his brow. But in a moment Sally, perhaps growing more daring, exchanged her right hand for her left; and this meant approaching Gaga more closely, and the partial encirclement of his head with her arm. She was quite near him, as Gaga must have known; but he did not dare to put his arm round her, as he might easily have done. Sally, so experienced, guessed at his temptation, at his fear, and relished both. She was also aware of a singular tenderness towards him, a protective, superior wisdom that made Gaga seem to be a child in his trepidation. To her an embrace meant so much less than it meant to him, and she knew quite well that a flirtatious man would have recognised the game that was in progress and risked a rebuff because of the successive return. Sally was still so far from deliberately exploiting Gaga that she did not feel impatient at his slowness. She savoured it, appreciating the fact that he shrank, knowing that when she wanted him to do anything she could always manage Gaga with the lightest touch. And that was why, in a moment, she allowed herself contact with his shoulder. Gaga's arm mechanically rose, and was about her waist, quite unpossessively. His face was moved with a conflict of emotions. Sally recognised temptation and self-consciousness, and also with amusement, a sense of his own incomparable daring.
"You are a devil, aren't you!" she whispered. Instantly she knew that she had made a mistake. His arm relaxed. It was only when she drew his aching head to her breast that she recovered her mastery of him. It was the only mistake she had made, and it was at that time the last, for she learnt at once that he was sensitive to ridicule. She had stepped too far, and had thereby, for a moment, endangered her sport. She was smiling again, but she had breathed quickly, at the knowledge of danger.
"How's the head?" she asked. "My hand's getting hot."
"Very bad," answered Gaga, dreading her withdrawal.
"Let me get a wet handkerchief."
"No, no. Don't move. I.... I don't want you to move."
Unconsciously, Sally gave a little sigh. It was all so easy, so much a question of his being content with whatever she gave, that the adventure was fading. It was ceasing to amuse her.
"That's enough," she said. "Now I'm going home." She did not move, and Gaga's clasp tightened.
"No," he murmured entreatingly. "Not yet."
"Must go." She took her hand away from his forehead, lingeringly. Gaga held her to him with rigidity. "Let me go." He took no notice, and Sally's hand rested gently upon his shoulder. At last: "Well?" said she.
"Don't go."
There was the slightest struggle, and Sally was free. Gaga's face was quite red. She stood looking down at him, on her lips that same quizzical smile. Gaga could not bear it. He rose quickly, and at her flight followed breathlessly. She was again lightly imprisoned, her head to his breast, and his arms giving small convulsive pressures as he sought to retain her. She could tell his physical weakness, and his feeble, excited desire for her, and she felt his face pressed to her hair. Again Gaga kissed Sally, but she continued to withhold her lips, so that he approached no nearer than her cheek.
"You ... you must know I love you," breathed Gaga.
"Do I?" asked Sally, coolly. "I don't. Why should I?"
"Can't you tell?" He was speaking directly into her ear, so that she felt his breath. "I love you ... like this!" He held her with all his strength, and gave her cheek a fevered, gnawing kiss. "D'you see, Sally? I love you."
"How's your headache?" asked Sally.
"I ... oh, Sally. Better ... better. But Sally! I love you. Don't you love me a little? Sally!" There was a long silence. Consideringly, Sally looked down, faintly excited, but unemotional. He vainly sought to achieve a mutual kiss; but she kept her head turned away. Strange! Her brain was perfectly clear! She was aware of every contact with him, knew his every wish; and was unmoved. How different it was from when she was with Toby! Gaga's voice resumed: "I think you ... love me a little, Sally, my dear, my angel."
"Angel! Good lord!" ejaculated Sally. She put her hands to his breast, forcing him a little away. "D'you think I'm an angel?"
"Yes!" came defiantly from Gaga.
"You're mad!" cried Sally, with contempt. "You don't know what you're talking about. And even if you are in love with me, as you say, what does it mean? You'd soon get tired of me. You'd begin to think I wasn't an angel. What's the good of it all?"
Gaga looked astounded.
"But if you love me," he stammered.
Sally's face was darkened. She had tears in her eyes, and her mouth was thin and hard. There was altogether a hardness in her expression that terrified Gaga.
"Even if I did," she said in a grim voice.
"But we could be married," he urged.
Married! Sally's heart gave a jump. Her cheeks were suffused. Married! She could hardly conceal her amazement. He had flown right past her expectation by that single word. Sally was aghast, forced to exercise all her self-control to prevent him from seeing how staggered she was.
"Married!" she said, deprecatingly. "What would you want to marry a girl like me for?" But as she spoke she no longer meant the words which had been conceived in honesty. A storm of temptation was upon her. Married to Gaga! Why, nothing could stop her! Married to him, she would be unassailable. It was not to be believed.
"Because I love you. Sally, do say 'yes.'" He was beseeching. His grey face was flushed, his lips eagerly parted, his eyes radiant. Gaga seemed transfigured. And his embrace was strengthened each instant by his vehement desire for her.
"You love me?" Sally's voice had become thick and stupid as she struggled to maintain her clearness of judgment in face of this overwhelming proposal.
"Say 'yes,'" urged Gaga. "Say 'yes.' It would be so wonderful. Sally, I've never ... never been in love before. I've ... never wanted a girl like this. You're so...."
"What am I?" Sally's voice was tender, lingering. The tears came again to her eyes, so touched was she by his earnestness and his gentleness, so puzzled by the unforeseen situation.
"So lovely," Gaga breathed. His lips came nearer, and she did not withdraw. He kissed her mouth at last, and again; and at her response the kiss became long and possessive. "You lovely girl," he went on. "We'll be married ... and ... and so happy."
"I don't know," cried Sally. "I don't know."
"Dear!" he begged.
"I'm not sure. Perhaps you'll be sorry to-morrow that you asked me. Will you? Sorry? Such things have been known to happen." Her voice was quite hard, because her temptation was so great.
"I'll never change. I love you."
"I wonder." Sally shook her head. "I'll tell you to-morrow." She was still dubious, suspicious.
"Let me get a license."
Sally's heart jumped again. He had once more surprised her, and she had supposed herself altogether beyond surprise. A license! Her quick glance could fathom no deceit, no inconceivable sportiveness in Gaga.
"Oh! You are in a hurry!" she exclaimed, delayingly. "Frightened you will change."
"I'm frightened of losing you."
Sally laughed a little, held up her face, and kissed him. Still she was puzzled.
"To-morrow. But you'll be sorry by then. I won't promise."
She found it not unpleasant to be loved in this fervid, nervous fashion. It amused her. But she was curiously unmoved, and when he had put her into her omnibus Sally breathed almost with relief. Strange to feel that relief after parting from the man you might be going to marry! Sally jerked her head. She remembered suddenly that Miss Summers had said earlier in the day. "You'll think twice before you marry for just love, and nothing else," Miss Summers had said. "You're right, my dear," thought Sally. And then there came galloping into her memory a recollection that made Sally blanch. "It's not the first man who makes the best husband," Miss Summers had said. Not the first man! The reason for Sally's fear was explained. She had known all along why she was afraid and had pressed back the knowledge from her attention, so that it should not interfere with her actions. The first man was Toby; and it was of Toby that she was afraid—of Toby and his love for her; and, more than all, of her strangely smouldering love for Toby.