For several days Sally did not see the young man, and so she half forgot him, lost him in the mixture of her more pressing preoccupations. Every morning she rose at eight o'clock, after her mother had left the house for her first situation, and then, breakfasting slowly, she had just time to reach Miss Jubb's by nine. She did not like Miss Jubb, who was a thin-faced and fussy person who always wore a grey pinafore and felt that her untidy grey hair looked as though it might hint a sorrow rather than betray advancing years. Miss Jubb was full of the futile vanity of the elderly spinster, her mouth full of pins, and her head full of paper patterns. She lived with her mother on two floors of an old house, and one of the downstairs rooms was used on Sundays for sitting in and during the week for trying on. The work she did never suggested anything of the enormous pains Miss Jubb took in fitting, in fastening pins and cutting out. She was incurably a bad dressmaker; but she gave her clients the impression that she knew her business. This was because she was so careful, and because they knew no better than she did what women may and may not wear with propriety. The backs of all skirts coming from Miss Jubb drooped lower than the fronts. Her bodices always went wrong upon the shoulders. She was great on tucks. But she was cheap, and she was Sybil-like in her mysterious assurance. So she supported herself and her mother; while May and Sally did the rough basting and all sorts of odd jobs in the room behind the parlour. Here were the big cutting-out table, the treadled sewing machine, three or four chairs, many fragments of material, several half-made garments, and, upon the walls, a number of coloured prints from fashion papers. In such surroundings Sally spent her days. She ate her lunch at twelve o'clock, and had her tea at four. And as her fingers worked, or her feet occasionally by special permission propelled the sewing machine, she thought of the future and planned to get into the West End.
It was the West End that now lured her. If only she could get into the West End all her troubles would be wiped away at once, she felt. She could possibly make more money there; but even if she did not succeed in that aim she would still be in the running for better work. That she could do better work she never doubted. And she knew that as long as she was with Miss Jubb she would never do anything at all. Some instinct told her that. She knew it. She knew it as clearly as if she had surveyed the future from above. It was not that she was suddenly wise; but only that ambition had come into her consciousness. The blow she had received by her father's death had struck deep into her character. She had now to make something of her life, or starve. With a quick circle of thought she imagined her mother dead. What would happen then? What chance had she? Only vaguely did Sally glimpse the possibilities. She knew she could not keep herself. She had one aunt—her mother's sister—with two boy children who were both younger than Sally; but Aunt Emmy had a rough time herself, and could hardly be a help. Sally saw clearly enough that she had to fight alone. Very well, if she had to fight alone she would do it, and fight hard. As she scowled, it became evident that Sally would in this fight unscrupulously use every weapon that she could seize. She would not shrink from anything that put opportunity into her head. She was already hardened—a kind of hardening on the surface, or in strata, which left curious soft places in her nature, streaks of good and layers and patches of armour and grit and callous cruelty. Above all, she was determined upon having money. Money was the essential thing. Money meant safety. And safety, when starvation threatens, becomes the one imperious if ignominious ideal. Once one has known physical hunger, no act is inconceivable as a means of averting the risk of a similar experience.
Thus Sally's thoughts ran, not coherently or explicitly, but in vehement revolts and resolves. Thus she ruminated, while Miss Jubb was out of the room or had her attention so distracted that she could not observe an idle apprentice. When Miss Jubb came back to the room or to supervision work had a little to be hurried, so that she might not find occasion for complaint. For Miss Jubb had a sharp tongue, and although she took the pins out of her mouth before she talked she showed that they had left their influence upon her tongue, which was sharp to a fault. And there, across the room, was the rosy-cheeked May Pearcey, so silly, so incapable of more than momentary resentment, that she was always forgetting that Sally and she no longer spoke, but was always trying to encourage Sally into a return to their former relation. Sometimes Sally would glower across at May, bitterly hating her and riddling her plumpness and folly with the keen eye of malice. May, unconscious of the scrutiny, would go on with her work, self-satisfied, much coarser and more physical in her appetites than Sally, still in spite of all the rebuffs she had received grinning about her boys and what they had said and what they had meant....
"Oo, he is awful!" she would burst out to Sally. "The things he said. I dint half blush."
May had enjoyed his boldness, it seemed. She told Sally what he had said. She told her things and things in the irresistible splurge of the silly girl whose mind is full of adolescent impurity. Well, Sally knew all that. She knew all the things that boys said; and a few more things she had noticed and thought for herself. She was not a prude. May didn't know anything that Sally did not know; but she talked about it. Sally did not talk. Her sexual knowledges, so far as they went, were as close and searching as a small-tooth comb, and collected as much that was undesirable. She despised May. May was a fool. She was soppy, talking about all these things as if they were new marvels, when they were as old as the hills and as old as the crude coquetries of boys and girls. May was the soppiest girl in Holloway. Yet the boys liked her for her plump face and arms and legs, and her red cheeks, and her self-conscious laugh, and her eyes that held guilt and evil and general silliness and vanity. The boys liked May. They did not like Sally. She was too small and sandy; too obviously critical and contemptuous in face of their small stock of talk, and too greedy of their poor and pompously-displayed schemes for economical entertainment. Sally's teeth showed like the teeth of a cat, very small and sharp, emblems of her nature. Conceit took firmer root in her heart because of her contempt for May and her inevitable suppressions of pain and resentment in face of neglect, as well as her suppressions of knowledge gained by a mental process so quick that May could never have had the smallest notion of it. Sally became secret, and her determination was made more emphatic. She began to study her face, and her body. One day her mother found her naked in front of a mirror, twisting herself so that she could see the poise of her figure. It was a pretty figure, if underdeveloped, and from that time of thorough examination onwards Sally never had the smallest doubt of her own attractiveness and its principal constituents. Only her face was wrong, she felt with bitter chagrin; her face and her hair. If her face were fatter and less freckled, and if her hair were not so sandy and pale, she would be pretty. Really pretty. Pretty enough to make a man go silly. Well, such things could be cured, couldn't they? Or, if not cured, then at least improved.... That was a notion that dwelt constantly in Sally's thoughts.