The noise which the others made, as fresh arrivals increased their numbers, enabled Monty to return to Patricia's side. She could see a whiteness even in Monty's cheeks when he was quite close to her, and her aversion to him died. Quickly her heart told her that he too was suffering.
"How are you feeling? Would you care to lie down? Shall I get you a taxi? I can't get rid of these people yet. If you'll lie down, I'll take you home later."
"I'll go soon," she whispered back, touched by his subdued tone. "Don't worry. I'm all right. I'm better. I'll go presently, when I feel able. I'll just slip out."
"I'm so sorry," he repeated. "Look here, I must see you before you go."
At that her nerves again raised protest. A deep shudder shook her.
"I'd rather not," she said, in the same low voice. "I couldn't stand any more ... excitement to-night."
"I must see you," he said. "You mustn't go without giving me five minutes."
And at that moment there was a loud call for him from the other end of the studio, and Monty left Patricia. She continued to sit quite still, while the brandy began slowly to have its effect. The blood stole back to her cheeks. She looked at her little hands, which lay together, clenched, in her lap, and slowly unclenched them, so that the knuckles were no longer white. The nails had left two or three pink marks in her palms, which gradually disappeared. The shuddering left her body, which was now quite inert. A dreadful sensation of staleness pervaded Patricia. Her head ached. Quietly, and as if by accident, Monty was near her again. He poured a little more brandy into her glass.
"Patricia's not very grand," she heard him whisper to another man. "See that she drinks this, will you?"
The other man, a stranger, drew up his chair, and sat near her, talking in a low voice while she drank the brandy. She could not understand what he said, but his voice was grateful. She smiled her thanks at him, and her attention wandered away to the groups in other parts of the studio, so loud, so closely resembling in appearance the groups which had been present on the occasion of her first visit to this studio.
So much had happened since that evening that she realised how changed she now was. It seemed to Patricia that she must have been a child then. She felt very old now, as if she were looking back, an old woman, upon days of happy ignorance. The noise did not echo sweetly in her ears as it had done. This was no longer an enchanted meeting-place for those who were wise and wonderful and superior to the rest of all human beings. She had seen so much, and felt so much, since she had first known them that the staleness which had come upon her this evening was diffused among the visitors. She felt them to be also stale, curious automata chattering to hide their emptiness and unhappiness, as she too might now chatter to combat the knowledge that she was weary and unable any longer to experience simple things with her old fresh delight.
A sigh shook Patricia. The feeling of sickness remained with her. And this stranger who tried vainly to distract her attention with idle speeches about things she did not understand and did not want to understand was no other than the rest. She could see his long hair and hear his thin light voice; and she was stirred by a contempt for all that these groups represented. But her contempt no longer arose from a sense that she was superior to the groups. For the first time she was sick at heart as well as in mind and body. She made no attempt to listen. She only felt tired and filled with distaste and the longing for quietude and sincerity. The crowd became vague. At first Patricia thought that she was again in danger of fainting; but she was immediately better, and able at last to hear what the man said. He was talking about the theatre, and was describing a play he had seen.
"Perfectly ghastly...." he was saying. "And all these suburbans were enjoying it with all their ears. A silly little fool of a girl, supposed to be extraordinarily charming; and saying and doing the most incredible things...."